| Description |
1 online resource (439 pages). |
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data file |
| Series |
Film Culture in Transition
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Film culture in transition.
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| Contents |
Alexander Kluge; Table of Contents; Introduction; Editor's Introduction; The Stubborn Persistence of Alexander Kluge; Film, Politics and the Public Sphere; On Film and the Public Sphere; Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge's Contribution to Germany in Autumn; 'What is Different is Good': Women and Femininity in the Films of Alexander Kluge; Rethinking History; In Search of Germany: Alexander Kluge's The Patriot; Alexander Kluge and German History: 'The Air Raid on Halberstadt on 8.4.1945'; The Air Raid on Halberstadt, 8 April 1945(extract). |
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Realism as ProtestConstruction Site Film: Kluge's Idea of Realism and His Short Films; The Sharpest Ideology: That Reality Appeals to its Realistic Character; Debate on the Documentary Film: Conversation with Klaus Eder, 1980; Opera as a 'Power Plant of Emotion'; Undoing Act 5: History, Bodies and Operatic Remains in The Power of Emotion; 'Feelings Can Move Mountains ... ': AnInterview with Alexander Kluge on the Film The Power of Feelings; Alexander Kluge's Phantom of the Opera; Storytelling and Politics; An Analytic Storyteller in the Course of Time. |
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The Political as Intensity of Everyday FeelingsAt the 2003 International Security Conference; Television and Counter-Public Spheres; Raw Materials for the Imagination: Kluge'sWork for Television; Television and Obstinacy; Reframing Islam in Television: Alexander Kluge's Interviews on Islamand Terrorism since 9/11; In the Real Time of Feelings: Interview with Alexander Kluge; Television Interviews; Character Armour and MobileWarfare; Jeff Mills: Godfather of Techno; Tsunami of Emotion: On Puccini's Tosca; Early Cinema/RecentWork; Reinventing the Nickelodeon: Notes on Kluge and Early Cinema. |
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'All Things Are Enchanted Human Beings': Remarks on Alexander Kluge's News from Ideological AntiquitySelected Bibliography of English-Language Texts; Acknowledgments; Notes on Contributors; Index of Names; Index ofWorks. |
| Summary |
Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book - the first of its kind in Englishlish - comprises a wide selection of texts, including articles and stories by Kluge, television transcripts, critical essays by renowned international scholars, and interviews with Kluge himself. It will be a valuable resource for students and scholars in the fields of film, television, and literary studies, as well as those in. |
| Bibliography |
Includes bibliographical references and index. |
| Local Note |
JSTOR Books at JSTOR Open Access |
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eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Language |
English. |
| Subject |
Bibel Philemonbrief. |
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Motion pictures.
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Motion pictures. |
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Science.
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Science. |
| Indexed Term |
Multi-User. |
| Genre/Form |
Electronic book.
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Electronic books.
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Criticism, interpretation, etc.
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| Added Author |
Forrest, Tara, editor.
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| Other Form: |
Print version: Forrest, Tara. Alexander Kluge : Raw Materials for the Imagination. Amsterdam : Amsterdam University Press, ©2011 9789089642721 |
| ISBN |
9789048513390 |
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9048513391 |
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9789089642721 |
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9089642722 |
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1280118210 |
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9781280118210 |
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9789089642738 |
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9089642730 |
| Standard No. |
9786613522504 |
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