| Description |
1 online resource (217 pages) |
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text file |
| Contents |
Intro; Title Page; Copyright Page; Contents; List of Images; Acknowledgments; Introduction; Chapter 1 Daguerreotypes and Calotypes of Hiram Powerâ#x80;#x99;s Greek Slave, 1847 to 1852; Chapter 2 Stereoscopic photographs of The Bride by Raffaelle Monti, 1862; Chapter 3 Pictorialist Prints: Eduard J. Steichenâ#x80;#x99;s Rodinâ#x80;#x94;Le Penseur, 1902 to 1906; Chapter 4 Sculptural photographs in books, circa 1949: The Sculptures of Picasso, â#x80;#x9C;with Photographs by BrassaÃâ̄#x80;#x9D;; Chapter 5 Ana Mendietaâ#x80;#x99;s Silueta Series, in prints and magazines 1973 to 1985. |
| Bibliography |
Includes bibliographical references and index. |
| Summary |
This is the first monograph exploring how, throughout its history, sculpture has provided a model to conceptualize photography as an art of mechanical reproduction. While there is a growing body of work examining how photography has contributed to the development of a Western 'sculptural imagination' by disseminating works, facilitating the investigation of the medium, or changing sculptural aesthetics, this study focuses on how sculpture has provided not only beautiful and convenient subject matter for photographs, or commercial and cultural opportunities for photographers in the market for art reproductions, but also an exemplar for thinking about photography as a medium based on mechanical means of production. In both media, processes from conception to realization involve apparatus that bypass the 'touch of the artist' - so important to enduring notions of the value of works of art. The book closely analyses a number of case studies, from 1847 to the present, selected both to explicate the conceptual and technological continuities between the two media, and also because of how they illuminate the materiality of photographic objects. The final chapter considers the convergence of the two media in contemporary sculptural practices that use forms of 3D photography and computer-operated sculpting machines. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Steichen, Edward, 1879-1973. |
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Rodin, Auguste, 1840-1917. |
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Mendieta, Ana, 1948-1985. |
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Brassaï, 1899-1984. |
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Ball, Barry X., 1955- |
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Ball, Barry X 1955- |
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Brassaï 1899-1984. |
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Mendieta, Ana 1948-1985. |
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Monti, Raffaele 1818-1881. |
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Rodin, Auguste 1840-1917. Le penseur. |
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Steichen, Edward 1879-1973. |
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Photography of sculpture -- History.
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Photography of sculpture. |
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History. |
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COMPUTERS -- Digital Media -- Photography. |
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PHOTOGRAPHY -- Reference. |
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TECHNOLOGY & ENGINEERING -- Imaging Systems. |
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Sculpture. |
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History of art -- art & design styles. |
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Photography & photographs. |
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Fotografie. |
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Plastik Motiv. |
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Rezeption. |
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Stereoskopie. |
| Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
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History.
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| Other Form: |
Print version: Di Bello, Patrizia. Sculptural Photographs : From the Calotype to Digital Technologies. London : Bloomsbury Publishing PLC, ©2018 9781350028227 |
| ISBN |
9781350028234 |
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1350028231 |
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9781350028241 |
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135002824X |
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9781350028227 |
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1350028223 |
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