| Description |
1 online resource (306 pages) : illustrations. |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Studies in Intermediality,
1871-8787 ;
Volume 8
|
|
Studies in intermediality ; Volume 8.
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Dance and British Literature: An Intermedial Encounter; Copyright; Contents; Acknowledgements; 1. Introduction; 2. THEORY: Mediality and Literalised Dance; 2.1. Definition of Medium; 2.2. Literature as Medium; 2.2.1. A Semiotic Perspective on Literature; 2.2.2. From a Semiotic to a Cultural Perspective on Literature; 2.3. Dance as Medium; 2.3.1. General Statements; 2.3.2. A Semiotic Perspective on Dance; 2.3.2.1. Movement; 2.3.2.2. Time; 2.3.2.3. Space; 2.3.3. From a Semiotic through a Cultural to an Intermedial Perspective on Dance. |
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2.3.3.1. Dance Genres as Markers of Class, National Identity, and Gender2.3.3.2. The Body and Signification; 3. TYPOLOGY: Literalised Dance as Intermedial Encounter; 3.1. Intermediality as a Concept; 3.2. Toward a Typology of Literalised Dance; 3.2.1. A Semiotic Approach; 3.2.1.1. Extra-compositional Intermediality; 3.2.1.2. Intra-compositional Intermediality; 3.2.2. A Cultural Approach; 3.2.2.1. Literalised Dance as a Platform for Cultural Discourse; 3.2.2.2. Representations of Dance Culture in Poetry and Caricature; 4. CASE STUDIES: Literalised Dance in British Drama. |
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4.1. Dance in British Drama from the Renaissance to the 18th Century4.1.1. Plurimediality in Renaissance Masques-Dance as Allegory of Order: Jonson's Hymenaei and Shakespeare's The Tempest, Jonson's Pleasure Reconciled to Virtue, Milton's Comus; 4.1.2. Intermedial Reference and Cultural Ridicule in Restoration and 18th Century Comedy: Wycherley's The Gentleman Dancing Master, Sheridan's The Rivals; 4.2. Dance in British Drama of the 19th Century; 4.2.1. Popular Literature and the Waltz; 4.2.1.1. The Waltz: A Public Scandal and its Poetic Representations. |
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4.2.1.2. The Waltz in 19th Century 'Illegitimate' Drama4.2.2. Elitist Drama and Modern Dance; 4.2.2.1. Presence through Absence: Oscar Wilde's Salome; 4.2.2.2. The Revolution of Modernism: Yeats and Modern Dance; 5. Conclusion; Works Cited; List of Illustrations; Index. |
| Summary |
What happens, when dance and literature meet; when movement is integrated into the literary world or even replaces verbal communication? This study explores dance in British literature from Shakespeare to Yeats, and illustrates the many ways in which these two forms of artistic expression can enter into various kinds of intermedial encounters and cultural alliances. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Typology (Linguistics)
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Typology (Linguistics) |
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Linguistic universals.
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Linguistic universals. |
| Genre/Form |
Electronic books.
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| Other Form: |
Print version: Marcsek-Fuchs, Maria. Dance and British literature : an intermedial encounter : (Theory - Typology - Case Studies). Leiden, Netherlands ; Boston, [Massachusetts] : Brill Rodopi, ©2015 viii, 298 pages Studies in intermediality ; Volume 8 1871-8787 9789004292567 |
| ISBN |
9004292586 (e-book) |
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9789004292581 (electronic book) |
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9789004292567 |
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