| Description |
1 online resource (xxvii, 305 pages, 32 unnumbered pages of plates) : illustrations (some color). |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Contextualizing art markets
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Contextualizing art markets.
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| Bibliography |
Includes bibliographical references and index. |
| Summary |
The early collections from Africa in Liverpool's World Museum reflect the city's longstanding shipping and commercial links with Africa's Atlantic coast. A principal component of these collections is an assemblage of several thousand artefacts from western Africa that were transported to institutions in northwest England between 1894 and 1916 by the Liverpool steam ship engineer Arnold Ridyard. While Ridyard's collecting efforts can be seen to have been shaped by the steamers' dynamic capacity to connect widely separated people and places, his Methodist credentials were fundamental in determining the profile of his African networks, because they meant that he was not part of official colonial authority in West Africa. Kingdon's study uncovers the identities of many of Ridyard's numerous West African collaborators and discusses their interests and predicaments under the colonial dispensation. Against this background account, their agendas are examined with reference to surviving narratives that accompanied their donations and within the context of broader processes of trans-imperial exchange, through which they forged new identities and statuses for themselves and attempted to counter expressions of British cultural imperialism in the region. The study concludes with a discussion of the competing meanings assigned to the Ridyard assemblage by the Liverpool Museum and examines the ways in which its re-contextualization in museum contexts helped to efface signs of the energies and narratives behind its creation. |
| Contents |
List of illustrations -- List of colour plates -- Acknowledgements -- 1. Introduction -- Approach -- Structure and outline -- 2. Prologue: Western Africa, Africans, and Liverpool's municipal museum -- After the slave trade -- The Niger expedition -- Joseph Mayer and the inauguration of Liverpool's ethnography collection -- Between empire and trade -- Conclusion -- 3. Arnold Ridyard and his assemblage -- Ridyard's family background and Methodist identity -- Maritime career, collecting practices and social networks -- Acquisition and generosity -- Ridyard's dissenting interests -- Conclusion -- 4. Diasporic dialogues: the Sierra Leonean donors I /W. R. Renner, West African Capitalist -- Krio Diaspora: Collecting and Culture in the Early Twentieth Century -- Women Donors: Mrs W.E. Johnson and Miss B Yorke -- The Muslim Donors: Colonial Exclusion, African Regional trajectories -- Conclusion -- 5. Trans-imperial identities: the Sierra Leonean donors II -- Freetown, architecture, and Krio self-orientation -- Krio male elites -- 'Upbuilding' and empire -- Claudius D. Hotobah during -- Conclusion -- 6. Coastal 'kings': the Gold Coast donors I /Ababio IV, Amonu V, Acquah II, and Prince Tackie -- Kojo Ababio IV, Accra Political Player -- Potters of Accra's Western Plains -- Ambiguous 'Traditionalist': E.W. Quartey-Papafio -- Dr. Edward Mettle, 'Man of Mystery and Power' -- Conclusion -- 7. Coastal cosmopolitans: the Gold Coast donors II /Frederick Lutterodt, West African Photographer /Arthur Robert Chinery, Euro-Ga Professional /John Mensah Sarbah, 'Cosmopolitan patriot' /J. P. Brown, C.J. Bannerman and other 'Cosmopolitan Patriots' -- Mobile elites: C.J. Reindorf, H. Van Hien and others -- Conclusion -- 8. Museum meanings: regimes of classification, representation and display -- Exhibiting order -- Re-arranging and re-evaluating the Liverpool museum African collection in the 1930s -- Erosion and occlusion: the Ridyard assemblage at the Liverpool Museum, 1905 to 1968 -- Conclusion -- Epilogue -- References -- Index. |
| Access |
Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK). WlAbNL |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Terms Of Use |
Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. WlAbNL |
| Subject |
Art, West African.
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Art, West African. |
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Art museums -- Acquisitions -- England -- History.
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Art museums -- Acquisitions. |
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England. |
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History. |
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Art objects -- Collectors and collecting -- England.
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Art objects -- Collectors and collecting. |
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Art objects -- Collectors and collecting -- Africa, West.
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West Africa. |
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Great Britain -- Colonies -- Commerce -- Africa, West.
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Great Britain. |
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Africa, West -- History -- 1884-1960.
|
| Chronological Term |
1884-1960 |
| Subject |
Art of indigenous peoples. |
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Colonies. |
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Colonial art. |
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Commerce. |
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ART -- History -- General. |
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British colonies. |
| Genre/Form |
Electronic books.
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History.
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| Other Form: |
Print version: KINGDON, ZACHARY. ETHNOGRAPHIC COLLECTING AND AFRICAN AGENCY IN EARLY COLONIAL WEST AFRICA. [Place of publication not identified] : BLOOMSBURY ACADEMIC USA, 2018 1501337920 (OCoLC)1018196621 |
| ISBN |
9781501337932 (electronic book) |
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1501337939 (electronic book) |
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9781501337949 (PDF ebook) |
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1501337947 (PDF ebook) |
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9781501337925 (hardcover) |
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1501337920 (hardcover) |
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