| Description |
xiv, 767 pages : illustrations, music ; 27 cm. |
| Series |
Speculum musicae ; v. 14
|
|
Speculum musicae ; v. 14.
|
| Bibliography |
Includes bibliographical references and index. |
| Summary |
In this book, edited by Roberto Illiano and Massimiliano Sala, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteen nations under totalitarian regimes: Argentina, Brazil, Chile, Cuba, France, Greece, Germany, Italy, Mexico, Poland, Portugal, Russia, Serbia, Spain, and Hungary. Historical and aesthetical articles face both individual people (for instance, Chavez, Ligeti, Massarani or Villa-Lobos) as well whole generations of composers operating under dictatorship (for example, in the communist regimes of Poland and Serbia; in France under Vichy; in Franco's Spain, Salazar's Portugal, or in Revolutionary Cuba). |
| Terms Of Use |
Articles in English, French, German, or Italian. |
| Subject |
Music -- Political aspects -- Europe.
|
|
Music -- Political aspects. |
|
Europe. |
|
Music. |
|
Music -- Political aspects -- Latin America.
|
|
Latin America. |
|
Totalitarianism and music.
|
|
Totalitarianism and music. |
|
Fascism and music.
|
|
Fascism and music. |
|
Musik. |
|
Diktatur. |
|
Europa. |
|
Lateinamerika. |
|
Música -- Europa -- Aspectos políticos. |
|
Música -- América latina -- Aspectos políticos. |
|
Totalitarismo -- Europa. |
|
Totalitarismo -- América latina. |
| Chronological Term |
Geschichte 1900-2000 |
| Added Author |
Illiano, Roberto, editor.
|
|
Sala, Massimiliano, editor.
|
| ISBN |
9782503527796 |
|
2503527795 |
|
