LEADER 00000cam a2200625Ma 4500 
001    ocn794619907 
003    OCoLC 
005    20160527040839.1 
006    m     o  d         
007    cr cn||||||a|| 
008    110623t20122012onca    ob    001 0 eng d 
019    923776871 
020    9781442696143|q(electronic book) 
020    1442696141|q(electronic book) 
035    (OCoLC)794619907|z(OCoLC)923776871 
037    22573/ctt5bfwg|bJSTOR 
040    CELBN|beng|epn|cCELBN|dOCLCQ|dE7B|dYDXCP|dOCLCO|dOCLCQ
       |dJSTOR|dN$T|dOCLCO|dEBLCP|dOCLCO|dOCLCQ|dOCLCO 
049    RIDW 
050  4 PN56.I42|b.B42 2012eb 
050  4 PN721|b.B42 2012eb 
072  7 HIS037020|2bisacsh 
072  7 LIT000000|2bisacsh 
072  7 LIT004190|2bisacsh 
072  7 BIO|x007000|2bisacsh 
082 04 809.031|222 
090    PN56.I42|b.B42 2012eb 
090    PN721|b.B42 2012eb 
100 1  Bearden, Elizabeth B.,|d1975-|0https://id.loc.gov/
       authorities/names/no2012041859 
245 14 The emblematics of the self :|bekphrasis and identity in 
       Renaissance imitations of Greek romance /|cElizabeth B. 
       Bearden. 
264  1 Toronto [Ont.] :|bUniversity of Toronto Press,|c[2012] 
264  3 Saint-Lazare, Quebec :|bCanadian Electronic Library,
       |c2012. 
264  4 |c©2012 
300    1 online resource (xiv, 258 pages) :|billustrations, 
       digital file 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
504    Includes bibliographical references (pages 229-247) and 
       index. 
505 0  Chapter One The Romance Globe: Why the Renaissance 
       Repainted Greek Romance -- Chapter Two Converso Convertida
       : Cross-dressed Narration and Ekphrastic Interpretation in
       Leucippe and Clitophon and Clareo y Florisea -- Chapter 
       Three Amazon Eyes and Shifting Emblems in Sidney's Greek 
       Arcadia -- Chapter Four Painting Counterfeit Canvases: 
       Heliodoran Pictographs, American Lienzos, and European 
       Imaginings of the Barbarian in Cervantes' Persiles -- 
       Chapter Five Pictura Locorum: Heliodoran Hieroglyphs and 
       Anglo-African Identity in Barclay's Argenis -- Chapter Six
       "We are all picturd in that Piece": Lovers, Persians, 
       Tartars, and the "Tottering" Romance Globe in Lady Mary 
       Wroth's Urania -- Conclusions. 
520    The Emblematics of the Self breaks new ground in 
       understanding hegemonic and cosmopolitan European 
       conceptions of the "other," as well as new possibilities 
       for early modern identities, in an increasingly global 
       Renaissance. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Identity (Philosophical concept) in literature.|0https://
       id.loc.gov/authorities/subjects/sh94004953 
650  0 Ekphrasis.|0https://id.loc.gov/authorities/subjects/
       sh85041446 
650  7 Identity (Philosophical concept) in literature.|2fast
       |0https://id.worldcat.org/fast/966891 
650  7 Ekphrasis.|2fast|0https://id.worldcat.org/fast/904124 
655  4 Electronic books. 
776 08 |iPrint version:|aBearden, Elizabeth R.|tEmblematics of 
       the Self : Ekphrasis and Identity in Renaissance 
       Imitations of Greek Romance.|dToronto : University of 
       Toronto Press, ©2000|z9781442643468 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=682843|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160607|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID