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LEADER 00000cam a2200793 i 4500 
001    on1018012683 
003    OCoLC 
005    20200605063326.8 
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008    150623s2015    ilu     ob   s001 0 eng   
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082 04 780 
090    ML410.T28|bF76 2015eb 
100 1  Tenney, James,|0https://id.loc.gov/authorities/names/
       n84148369|eauthor. 
245 10 From scratch :|bwritings in music theory /|cJames Tenney ;
       edited by Larry Polansky, Lauren Pratt, Robert Wannamaker,
       and Michael Winter. 
246 30 Writings in music theory 
264  1 Urbana :|bUniversity of Illinois Press,|c[2015] 
264  4 |c©2015 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 0  Cover; Title; Copyright; Contents; Acknowledgments; Notes 
       on the Edition; Introduction by Larry Polansky; 1. On the 
       Development of the Structural Potentialities of Rhythm, 
       Dynamics, and Timbre in the Early N; 2. Meta / Hodos 
       (1961); 3. Computer Music Experiences, 1961-1964 (1964); 
       4. On the Physical Correlates of Timbre (1965); 5. 
       Excerpts from "An Experimental Investigation of Timbre-the
       Violin" (1966); 6. Form in Twentieth-Century Music (1969-
       70); 7. META Meta / Hodos (1975); 8. The Chronological 
       Development of Carl Ruggles's Melodic Style (1977). 
505 8  9 Hierarchical Temporal Gestalt Perception in Music A 
       Metric Space Model (with Larry Polansky) (197810. 
       Introduction to "Contributions toward a Quantitative 
       Theory of Harmony" (1979); 11. The Structure of Harmonic 
       Series Aggregates (1979); 12. John Cage and the Theory of 
       Harmony (1983); 13. Reflections after Bridge (1984); 14. 
       Review of Music as Heard by Thomas Clifton (1985); 15. 
       About Changes: Sixty-Four Studies for Six Harps (1987); 
       16. Darmstadt Lecture (1990); 17. The Several Dimensions 
       of Pitch (1993/2003); 18. On "Crystal Growth" in Harmonic 
       Space (1993/2003); 19. About Diapason (1996). 
505 8  Appendix 1. Pre-Meta / Hodos (1959)Appendix 2. On Musical 
       Parameters (ca. 1960-61); Appendix 3. Excerpt from A 
       History of 'Consonance' and 'Dissonance' (1988); 
       Publication History; Notes; Index. 
520 8  One of the 20th century's most important musical thinkers,
       James Tenney did pioneering work in multiple fields, 
       including computer music, tuning theory and algorithmic 
       and computer-assisted composition. 'From Scratch' is a 
       collection of Tenney's hard-to-find writings arranged, 
       edited and revised by the self-described 'composer/
       theorist.' 
588    Description based on online resource; (viewed 2020-05-15).
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 20th century|2fast 
650  0 Music theory|xHistory|y20th century.|0https://id.loc.gov/
       authorities/subjects/sh85088834 
650  7 Music theory.|2fast|0https://id.worldcat.org/fast/1030620 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
655  0 Electronic book. 
655  4 Electronic books. 
700 1  Pratt, Lauren,|0https://id.loc.gov/authorities/names/
       no2017029639|eeditor. 
700 1  Wannamaker, Rob,|0https://id.loc.gov/authorities/names/
       n2009028561|eeditor. 
700 1  Winter, Michael,|d1980-|0https://id.loc.gov/authorities/
       names/no2011033037|eeditor. 
700 1  Polansky, Larry,|d1954-|0https://id.loc.gov/authorities/
       names/n88635233|eeditor. 
776 08 |iPrint version:|tFrom scratch|dUrbana : University of 
       Illinois Press, [2015]|z9780252038723|w(DLC)  2015944784 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=760250|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
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