| Description |
1 online resource. |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Edinburgh studies in film and intermediality
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Edinburgh studies in film and intermediality.
|
| Contents |
Intro -- List of Figures -- Acknowledgements -- Introduction -- 1. Paper, Water, Ice: The Falling Soldier -- 2. The Double Life of the Gestapo Informer -- 3. Apocalyptic Stillness: The Self-Immolators -- 4. The Face of the Crowd: Che -- 5. Film Frame, Film Still, Star Portrait: The Marianne of '68 -- Epilogue: Protesting Women -- Bibliography -- Filmography -- Index |
| Summary |
The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. |
| Bibliography |
Includes bibliographical references and index. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Photography -- History.
|
|
Photography. |
|
History. |
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PERFORMING ARTS / Film & Video / History & Criticism. |
| Genre/Form |
Electronic books.
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Electronic books.
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History.
|
| Other Form: |
Print version: Saxton, Libby, 1975- No power without an image. Edinburgh : Edinburgh University Press, 2020 9781474463171 (OCoLC)1136960206 |
| ISBN |
9781474463171 (electronic book) |
|
1474463177 (electronic book) |
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1474463150 |
|
9781474463157 |
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9781474463188 Electronic book (EPUB format) |
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1474463185 |
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