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008 180208t20182018enka ob 001 0 eng d
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016 7 018744864|2Uk
016 7 019292005|2Uk
020 9781786722751|q(electronic book)
020 1786722755|q(electronic book)
020 |z9781786732750|q(epdf)
020 |z1786732750|q(epdf)
020 |z9781784531980
020 |z1784531987
035 (OCoLC)1022266332
037 9781786722751|bIngram Content Group
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049 RIDW
050 4 PN1993.5.P8|bP67 2018eb
072 7 PER|x009000|2bisacsh
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090 PN1993.5.P8|bP67 2018eb
245 00 Portugal's global cinema :|bindustry, history and culture
/|cedited by Mariana Liz.
264 1 London :|bI.B. Tauris,|c2018.
264 4 |c©2018
300 1 online resource (xx, 284 pages) :|billustrations.
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
490 1 Tauris world cinema series
504 Includes bibliographical references (pages 257-276) and
index.
505 0 Filming narratives becoming events: documentary and the
'emplotments' of the carnation revolution / Luís Trindade
-- Our Beloved Month of August: between the filming of the
real and the reality of filming / Rui Gonçalves Miranda --
Political Oliveira / Randal Johnson -- Portugal, Europe
and the world: geopolitics and the human condition in
Manoel de Oliveira's films / Carolin Overhoff Ferreira --
Amália (2008): stories of a singer and tales of a national
cinema / Anthony De Melo -- La Cage Dorée/The Gilded Cage:
a Franco-Portuguese comedy of integration / Ginette
Vincendeau -- Cinema and the city in European Portugal /
Mariana Liz -- Contextualizing Pedro Costa's digital
filmmaking / Nuno Barradas Jorge -- Broken links: the
cinema of Teresa Villaverde / Cristina Álvarez López and
Adrian Martin -- Mysteries of Raúl Ruiz's Portugal:
territory, littoral, city and memory bridge / Michael
Goddard -- White faces/black masks: the white woman's
burden in Pedro Costa's Down to Earth / Hilary Owen --
Light Drops: Portugal critically reviewing the colonial
past? / Paul Melo e Castro -- Colonialism as fantastic
realism in Tabu / Lúcia Nagib -- Luso-Brazilian co-
productions: rescue and expansion / Natália Pinazza.
520 Portuguese cinema has become increasingly prominent on the
international film festival circuit, proving the country's
size belies its cultural impact. From the prestige of
directors Manoel de Oliveira, PePortugal's Global
Cinemadro Costa and Miguel Gomes, to box-office hit La
Cage Dorée, aspects of Portuguese national cinema are
widely visible although the output is comparatively small
compared to European players like the UK, Germany and
France. Considering this strange discrepancy prompts the
question: how can Portuguese cinema be characterised and
thought about in a global context? Accumulating expertise
from an international group of scholars, this book
investigates the shifting significance of the nation,
Europe and the globe for the way in which Portuguese film
is managed on the international stage. Chapters argue that
film industry professionals and artisans must navigate
complex globalised systems that inform their filmmaking
decisions. Expectations from multi-cultural audiences, as
well as demands from business investors and the criteria
for critical accolades put pressure on Portuguese cinema
to negotiate, for example, how far to retain national
identities on screen and how to interact with 'popular'and
'art'film tropes and labels. Exploring themes typical of
Portuguese visual culture - including social exclusion and
unemployment, issues of realism and authenticity, and
addressing Portugal's postcolonial status - this book is a
valuable study of interest to the ever-growing number of
scholars looking outside the usual canons of European
cinema, and those researching the ongoing implications of
national cinema's global networks.
588 0 Print version record.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
650 0 Motion pictures, Portuguese|0https://id.loc.gov/
authorities/subjects/sh85088123|xHistory.|0https://
id.loc.gov/authorities/subjects/sh99005024
650 0 Motion picture industry|0https://id.loc.gov/authorities/
subjects/sh85088047|zPortugal|0https://id.loc.gov/
authorities/names/n80049716-781|xHistory.|0https://
id.loc.gov/authorities/subjects/sh99005024
650 7 Motion pictures, Portuguese.|2fast|0https://
id.worldcat.org/fast/1027500
650 7 History.|2fast|0https://id.worldcat.org/fast/958235
650 7 Motion picture industry.|2fast|0https://id.worldcat.org/
fast/1027150
651 7 Portugal.|2fast|0https://id.worldcat.org/fast/1208476
655 0 Electronic books.
655 4 Electronic books.
655 7 History.|2fast|0https://id.worldcat.org/fast/1411628
700 1 Liz, Mariana,|0https://id.loc.gov/authorities/names/
no2015029398|eeditor.
776 08 |iPrint version:|tPortugal's global cinema.|dLondon : I.B.
Tauris, 2018|z1784531987|w(OCoLC)964380038
830 0 Tauris world cinema series.|0https://id.loc.gov/
authorities/names/no2007115506
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=1703489|zOnline ebook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this ebook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20210519|cEBSCO|tEBSCOebooksacademic NEW April 9 4115
|lridw
994 92|bRID
