| Description |
1 online resource (ix, 300 pages) : illustrations |
| Bibliography |
Includes bibliographical references and index |
| Contents |
Part I. Introductions -- Creative control? -- Conflicting creativities -- Part II. SoniCo's social regime -- SoniCo's positive pole : aesthetic subjectivities and control -- SoniCo's negative pole : mitigating precarity and alienated judgment -- Part III. The future's quantified regime -- The future's positive pole : platform discipline, transience, and immersion -- The future's negative pole : compound precarity and the (infra)structure of alienated judgment -- Part IV. Conclusion -- Toward a theory of creative labor and a politics of judgment. |
| Summary |
"Workers in cultural industries often say that the best part of their job is the opportunity for creativity. At the same time, profit-minded managers at both traditional firms and digital platforms exhort workers to "be creative." Even as cultural fields hold out the prospect of meaningful employment, they are marked by heightened economic precarity. What does it mean to be creative under contemporary capitalism? And how does the ideology of creativity explain workers' commitment to precarious jobs? Michael L. Siciliano draws on nearly two years of ethnographic research as a participant-observer in a Los Angeles music studio and a multichannel YouTube network to explore the contradictions of creative work. He details how such workplaces feature engaging, dynamic processes that enlist workers in organizational projects and secure their affective investment in ideas of creativity and innovation. Siciliano argues that performing creative labor entails a profound ambivalence: workers experience excitement and aesthetic engagement alongside precarity and alienation. Through close comparative analysis, he presents a theory of creative labor that accounts for the roles of embodiment, power, alienation, and technology in the contemporary workplace. Combining vivid ethnographic detail and keen sociological insight, Creative Control explains why "cool" jobs help us understand how workers can participate in their own exploitation"-- Provided by publisher |
| Biography |
Michael L. Siciliano is assistant professor of sociology at Queen's University. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Cultural industries.
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Creative ability.
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Creative ability in business.
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Work -- Psychological aspects.
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creativity. |
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SOCIAL SCIENCE -- Sociology -- General. |
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Creative ability |
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Creative ability in business |
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Cultural industries |
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Work -- Psychological aspects |
| Indexed Term |
cognitive capitalism. |
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creative labor. |
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digital media. |
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precarity. |
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sociology of labor. |
| Other Form: |
Print version: Siciliano, Michael L. Creative control. New York : Columbia University Press, [2021] 9780231193801 (DLC) 2020045830 (OCoLC)1202729965 |
| ISBN |
9780231550512 electronic book |
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0231550510 electronic book |
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9780231193801 hardcover alkaline paper |
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9780231193818 paperback alkaline paper |
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