| Description |
1 online resource (528 pages) |
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text file |
| Contents |
Cover; Half-title; Title page; Copyright information; Table of contents; List of figures; Contributors; Preface; Introduction; PartI Architecture and Public Space; 1 On the Sublime in architecture; 2 Sublime histories, exceptional viewers: Trajan's Column and its visibility; 3 Corpore enormi: The Rhetoric of Physical Appearance in Suetonius and Imperial Portrait Statuary; Lenin''s corpse, Caligula''s body; Suetonius'' descriptions of the ruler''s appearance; The rhetoric of appearance in imperial portrait statuary; Ēthos; Pathos; Logos; Suetonius and portrait statuary. |
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4 Beauty and the Roman female portraitPart II The Domestic Realm; 5 The Casa del Menandro in Pompeii: Rhetoric and the Topology of Roman Wall Painting; Introduction; Rhetoric and Roman wall painting; The Casa del Menandro (Regio I 10.4); Layers of paint; Ala (4); Room (11); Room (15); Room (19); Mythological connections: from topography to topology; Wall painting and rhetoric: a topology; 6 Agamemnon''s grief: On the Limits of Expression in Roman Rhetoric and Painting; Zeuxis'' Helen and the ethics of invention; Painting as practice: medium, ornament and technique. |
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Timanthes'' sacrifice of Iphigenia 1: style and decorTimanthes'' sacrifice of Iphigenia 2: the limits of expression; Part III The Funerary; 7 Rhetoric and art in third-century ad Rome; Sarcophagi; Persephone sarcophagi; Endymion and Selene; Amazonomachy; Changing message, changing rhetoric; Ekphrasis; Conclusion; 8 Poems in Stone: Reading Mythological Sarcophagi through Statius' Consolations; Grief and commemoration in Statius'' Silvae; Statius'' uses of myth; Simile; Exemplification; Mourning and tragic death on Roman mythological sarcophagi; Projections into the mythological realm. |
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Conclusions9 The funerary altar of Pedana and the rhetoric of unreachability; Show and not tell; The power of empty rhetoric; Falling on deaf ears; Memories are made of this; 10 Rational, passionate and appetitive: The Psychology of Rhetoric and the Transformation of Visual Culture from non-Christian to Christian Sarcophagi in the Roman World; Sarcophagi: panegyrical and appetitive; Christian sarcophagi: changes in rhetorical argument; Conclusions; Part IV Rhetoric and the Visual; 11 The ordo of rhetoric and the rhetoric of order; Beginning: understanding the ''order of Homer'' |
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Middle: knowing epic backwards?End: the orderings of memory; 12 Coda: The Rhetoric of Roman Painting within the History of Culture: A Global Interpretation; What is the significance of Roman painting for the history of Western art?; The contrasting roles of theatre in Greece and in Rome: the mixture of differences and their tragic or comic effect as a spectacle of society; The historicity of artistic forms; The descriptive account of the so-called four styles of Roman painting and the questions it raises; What is the rhetoric of art?; The place of painting in the structural table of arts. |
| Bibliography |
Includes bibliographical references. |
| Summary |
Demonstrates the central significance of rhetoric in ancient responses to and receptions of Roman art. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Art, Roman.
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Art, Roman. |
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Communication in art.
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Communication in art. |
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Rhetoric, Ancient.
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Rhetoric, Ancient. |
| Genre/Form |
Electronic books.
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| Added Author |
Meyer, Michel.
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| Other Form: |
Print version: Elsner, Jas. Art and Rhetoric in Roman Culture. Cambridge : Cambridge University Press, ©2014 9781107000711 |
| ISBN |
9781316007785 |
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1316007782 |
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1322176485 (e-book) |
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9781322176482 (e-book) |
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9780511732317 (ebook) |
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0511732317 (ebook) |
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9781107000711 (hardback) |
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1107000718 (hardback) |
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9781316003282 |
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1316003280 |
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9781316005545 |
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1316005542 |
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