Description |
1 online resource (x, 294 pages) |
Physical Medium |
polychrome |
Description |
text file |
Bibliography |
Includes bibliographical references (pages 259-279) and index. |
Contents |
Iconoclasm : setting wounds in stone at the Musee des monuments français (1795-1816) -- Transpositionality : the political gets personal in Constant's Cécile -- Plagiarism : Duras, Desbordes-Valmore, and the scandalous potency of the woman author -- Harmony : Lamartine's social pain -- Analogy : slavery to duplicity in Sand's Indiana -- Fetishism. |
Summary |
The author argues that mimesis not only denotes the representation of reality, but is also a crucial concept for understanding the production of social meaning within specific historical concepts. |
Access |
Use copy Restrictions unspecified MiAaHDL |
Reproduction |
Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL |
System Details |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
Processing Action |
digitized 2010 HathiTrust Digital Library committed to preserve MiAaHDL |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Mimesis.
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Mimesis. |
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Mimesis. |
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Mimesis. |
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French literature -- 19th century -- History and criticism.
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French literature. |
Chronological Term |
19th century |
Subject |
Mimesis in literature.
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Mimesis in literature. |
Chronological Term |
1800 - 1899 |
Indexed Term |
Litteratur Romanske litteraturer. |
Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
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Other Form: |
Print version: Jenson, Deborah. Trauma and its representations. Baltimore, Md. : Johns Hopkins University Press, 2001 0801867231 (DLC) 00012618 (OCoLC)45493343 |
ISBN |
0801876176 (electronic book) |
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9780801876172 (electronic book) |
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0801867231 (alkaline paper) |
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9780801867231 (alkaline paper) |
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