LEADER 00000cam a2200649Ii 4500 
001    ocn858825744 
003    OCoLC 
005    20150929032913.0 
008    130513t20132013nyuag    b    001 0 eng   
010      2013019319 
015    GBB385043|2bnb 
015    GBB385041|2bnb 
016 7  016499548|2Uk 
016 7  016499550|2Uk 
019    810119773|a878946669|a880880797 
020    9781580464543|q(set)|q(hardcover)|q(acid-free paper) 
020    1580464548|q(set)|q(hardcover)|q(acid-free paper) 
020    9781580464291|q(volume 1)|q(hardcover)|q(acid-free paper) 
020    1580464297|q(volume 1)|q(hardcover)|q(acid-free paper) 
020    9781580464307|q(volume 2)|q(hardcover)|q(acid-free paper) 
020    1580464300|q(volume 2)|q(hardcover)|q(acid-free paper) 
040    ICU/DLC|beng|erda|cPUL|dUKMGB|dOCLCO|dYDXCP|dGSU|dZCU
       |dOCLCO|dCOO|dIQU|dBTCTA|dERASA|dOCLCO|dBDX|dOCLCF|dWCH 
043    e-it--- 
049    WCHA 
090    ML290.2|b.W67 2013 
245 00 Word, image, and song /|cedited by Rebecca Cypess, Beth L.
       Glixon, and Nathan Link. 
264  1 Rochester, NY :|bUniversity of Rochester Press ;
       |aWoodbridge, Suffolk :|bBoydell & Brewer Limited,|c2013. 
264  4 |c©2013 
300    2 volumes :|billustrations, music ;|c24 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Eastman studies in music,|x1071-9989 ;|vv. 101-102 
504    Includes bibliographical references and index. 
505 00 |gVolume 1:|tEssays on early modern italy. Source studies:
       |tMaria Cavalli, copyist and teacher /|rJennifer Williams 
       Brown ;|tIl ritorno di Poppea : a new German source 
       provokes some new thoughts -- and old arguments /|rAlan 
       Curtis ;|tAn unreported Mantuan libretto from 1623 /|rGary
       Tomlinson --|tTriumph of inconstancy : the vicissitudes of
       a seventeenth-century libretto /|rBeth L. Glixon and 
       Jonathan E. Glixon ;|tA letter on Benedetto Ferrari, 
       "Eccellentissimo sonator di tiorba" /|rDinko Fabris -- 
       Performance studies:|tRecordings of music written for St. 
       Mark's : an architectural historian's view /|rDeborah 
       Howard ;|tTwenty-two steps : clef anomalies or "basso alla
       bastarda" in mid-seventeenth-century Italian opera /
       |rÁlvaro Torrente --|tEroticisms and identities:|t"Indarno
       chiedi" : Clorinda and the interpretation of Monteverdi's 
       Combattimento /|rSuzanne G. Cusick ;|tVeil, the mask, and 
       the eunuch : sight, sound, and imperial erotics in 
       L'incoronazione di Poppea /|rWendy Heller ;|tBaciami, 
       Claudio : psychological depth and carnal desire in the 
       Marino settings of Monteverdi's book seven /|rAndrew H. 
       Weaver --|tMusic and classical literature:|tPowerless 
       spirit : echo on the musical stage of the late Renaissance
       /|rBarbara Russano Hanning ;|tExcavating Virgil in Counter
       -Reformation Rome : Domenico Mazzocchi's Dialoghi based on
       the Aeneid /|rSusan Parker Shimp --|tPoetic considerations
       :|tMusic as a fonte della varietà : Sforza Pallavicino on 
       the aria /|rRobert R. Holzer ;|tGiambattista Marino's 
       operatic aesthetics /|rGiuseppe Mazzotta ;|tStrophic form 
       in the canzonettas of Orazio Vecchi, Luca Marenzio, and 
       Claudio Monteverdi /|rRuth I. Deford ;|tCantar ottave, 
       cantar storie /|rMargaret Murata ;|tDramatizing discourse 
       in seventeenth-century opera : music as illocutionary 
       force in Francesco Cavalli's Giasone (1649) /|rMauro 
       Calcagno --|tMusic and painting:|tIncitamentum amoris 
       musica [picta] /|rDavid Rosand. 
505 00 |gVolume 2:|tEssays on musical voices.|tHearing voices, 
       stories, and sounds in eighteenth-century opera and 
       cantata:|tChoices of Hercules and Handel /|rRuth Smith ;
       |tCantata as narrative : serials, colloquies, and 
       commemoratives /|rEllen T. Harris ;|tContinuities of time 
       in Handel's operas /|rNathan Link ;|tMetastasian 
       sonosphere /|rGiovanni Morelli --|tHearing voices in 
       German song:|tMusic for a Saxon princess /|rRebecca Cypess
       ;|tText, voice, and genre in "Nun ist der Herr zu Ruh 
       gebracht" BWV 244/67 / Daniel R. Melamed ;|tEllen's songs 
       (D. 837-39) /|rJoseph Kerman ;|tHappy and sad : Robert 
       Schumann's art of ambiguity /|rKristina Muxfeldt --
       |tHearing voices through time:|tBeethoven's Handel and the
       Messiah copies /|rBathia Churgin ;|tLivre d'or of 
       Charlotte de Rothschild /|rPhilip Gossett ;|tArt of 
       artlessness, or, Adelina Patti teaches us how to be 
       natural /|rRoger Freitas ;|tManly music : reading 
       Victorian language /|rRuth A. Solie. 
546    English text. 
648  7 16th century|2fast 
648  7 17th century|2fast 
648  7 1500 - 1699|2fast 
650  0 Music|zItaly|y16th century|xHistory and criticism.|0https:
       //id.loc.gov/authorities/subjects/sh2010102850 
650  0 Music|zItaly|y17th century|xHistory and criticism.|0https:
       //id.loc.gov/authorities/subjects/sh2010102875 
650  7 Music.|2fast|0https://id.worldcat.org/fast/1030269 
651  7 Italy.|2fast|0https://id.worldcat.org/fast/1204565 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
700 1  Cypess, Rebecca,|0https://id.loc.gov/authorities/names/
       no2013051737|eeditor. 
700 1  Glixon, Beth Lise,|d1952-|0https://id.loc.gov/authorities/
       names/nr88002935|eeditor. 
700 1  Link, Nathan,|0https://id.loc.gov/authorities/names/
       no2013020691|eeditor. 
830  0 Eastman studies in music ;|0https://id.loc.gov/authorities
       /names/n93090808|vv. 101. 
830  0 Eastman studies in music ;|0https://id.loc.gov/authorities
       /names/n93090808|vv. 102. 
901    MARCIVE 20231220 
948    |d20160930|clti|tlti-aex 
994    C0|bWCH