LEADER 00000cam a2200649Ii 4500 001 ocn858825744 003 OCoLC 005 20150929032913.0 008 130513t20132013nyuag b 001 0 eng 010 2013019319 015 GBB385043|2bnb 015 GBB385041|2bnb 016 7 016499548|2Uk 016 7 016499550|2Uk 019 810119773|a878946669|a880880797 020 9781580464543|q(set)|q(hardcover)|q(acid-free paper) 020 1580464548|q(set)|q(hardcover)|q(acid-free paper) 020 9781580464291|q(volume 1)|q(hardcover)|q(acid-free paper) 020 1580464297|q(volume 1)|q(hardcover)|q(acid-free paper) 020 9781580464307|q(volume 2)|q(hardcover)|q(acid-free paper) 020 1580464300|q(volume 2)|q(hardcover)|q(acid-free paper) 040 ICU/DLC|beng|erda|cPUL|dUKMGB|dOCLCO|dYDXCP|dGSU|dZCU |dOCLCO|dCOO|dIQU|dBTCTA|dERASA|dOCLCO|dBDX|dOCLCF|dWCH 043 e-it--- 049 WCHA 090 ML290.2|b.W67 2013 245 00 Word, image, and song /|cedited by Rebecca Cypess, Beth L. Glixon, and Nathan Link. 264 1 Rochester, NY :|bUniversity of Rochester Press ; |aWoodbridge, Suffolk :|bBoydell & Brewer Limited,|c2013. 264 4 |c©2013 300 2 volumes :|billustrations, music ;|c24 cm. 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 490 1 Eastman studies in music,|x1071-9989 ;|vv. 101-102 504 Includes bibliographical references and index. 505 00 |gVolume 1:|tEssays on early modern italy. Source studies: |tMaria Cavalli, copyist and teacher /|rJennifer Williams Brown ;|tIl ritorno di Poppea : a new German source provokes some new thoughts -- and old arguments /|rAlan Curtis ;|tAn unreported Mantuan libretto from 1623 /|rGary Tomlinson --|tTriumph of inconstancy : the vicissitudes of a seventeenth-century libretto /|rBeth L. Glixon and Jonathan E. Glixon ;|tA letter on Benedetto Ferrari, "Eccellentissimo sonator di tiorba" /|rDinko Fabris -- Performance studies:|tRecordings of music written for St. Mark's : an architectural historian's view /|rDeborah Howard ;|tTwenty-two steps : clef anomalies or "basso alla bastarda" in mid-seventeenth-century Italian opera / |rÁlvaro Torrente --|tEroticisms and identities:|t"Indarno chiedi" : Clorinda and the interpretation of Monteverdi's Combattimento /|rSuzanne G. Cusick ;|tVeil, the mask, and the eunuch : sight, sound, and imperial erotics in L'incoronazione di Poppea /|rWendy Heller ;|tBaciami, Claudio : psychological depth and carnal desire in the Marino settings of Monteverdi's book seven /|rAndrew H. Weaver --|tMusic and classical literature:|tPowerless spirit : echo on the musical stage of the late Renaissance /|rBarbara Russano Hanning ;|tExcavating Virgil in Counter -Reformation Rome : Domenico Mazzocchi's Dialoghi based on the Aeneid /|rSusan Parker Shimp --|tPoetic considerations :|tMusic as a fonte della varietà : Sforza Pallavicino on the aria /|rRobert R. Holzer ;|tGiambattista Marino's operatic aesthetics /|rGiuseppe Mazzotta ;|tStrophic form in the canzonettas of Orazio Vecchi, Luca Marenzio, and Claudio Monteverdi /|rRuth I. Deford ;|tCantar ottave, cantar storie /|rMargaret Murata ;|tDramatizing discourse in seventeenth-century opera : music as illocutionary force in Francesco Cavalli's Giasone (1649) /|rMauro Calcagno --|tMusic and painting:|tIncitamentum amoris musica [picta] /|rDavid Rosand. 505 00 |gVolume 2:|tEssays on musical voices.|tHearing voices, stories, and sounds in eighteenth-century opera and cantata:|tChoices of Hercules and Handel /|rRuth Smith ; |tCantata as narrative : serials, colloquies, and commemoratives /|rEllen T. Harris ;|tContinuities of time in Handel's operas /|rNathan Link ;|tMetastasian sonosphere /|rGiovanni Morelli --|tHearing voices in German song:|tMusic for a Saxon princess /|rRebecca Cypess ;|tText, voice, and genre in "Nun ist der Herr zu Ruh gebracht" BWV 244/67 / Daniel R. Melamed ;|tEllen's songs (D. 837-39) /|rJoseph Kerman ;|tHappy and sad : Robert Schumann's art of ambiguity /|rKristina Muxfeldt -- |tHearing voices through time:|tBeethoven's Handel and the Messiah copies /|rBathia Churgin ;|tLivre d'or of Charlotte de Rothschild /|rPhilip Gossett ;|tArt of artlessness, or, Adelina Patti teaches us how to be natural /|rRoger Freitas ;|tManly music : reading Victorian language /|rRuth A. Solie. 546 English text. 648 7 16th century|2fast 648 7 17th century|2fast 648 7 1500 - 1699|2fast 650 0 Music|zItaly|y16th century|xHistory and criticism.|0https: //id.loc.gov/authorities/subjects/sh2010102850 650 0 Music|zItaly|y17th century|xHistory and criticism.|0https: //id.loc.gov/authorities/subjects/sh2010102875 650 7 Music.|2fast|0https://id.worldcat.org/fast/1030269 651 7 Italy.|2fast|0https://id.worldcat.org/fast/1204565 655 7 Criticism, interpretation, etc.|2fast|0https:// id.worldcat.org/fast/1411635 700 1 Cypess, Rebecca,|0https://id.loc.gov/authorities/names/ no2013051737|eeditor. 700 1 Glixon, Beth Lise,|d1952-|0https://id.loc.gov/authorities/ names/nr88002935|eeditor. 700 1 Link, Nathan,|0https://id.loc.gov/authorities/names/ no2013020691|eeditor. 830 0 Eastman studies in music ;|0https://id.loc.gov/authorities /names/n93090808|vv. 101. 830 0 Eastman studies in music ;|0https://id.loc.gov/authorities /names/n93090808|vv. 102. 901 MARCIVE 20231220 948 |d20160930|clti|tlti-aex 994 C0|bWCH
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