| Description |
1 online resource (269 pages) |
|
text file |
| Summary |
Cinema may be called a bastard art in both meanings of the word: because it is usually defined as a hybrid art form, obviously, but also, and perhaps more importantly, because it has been able to become formally as well as generically innovative mostly through adulterous relationships, thus making illegitimacy its grounding principle by preferring a blurred lineage to a legible succession. Trying to find what film is referred to in a sequence, therefore, amounts to establishing a clear family ... |
| Bibliography |
Includes bibliographical references (pages 230-244) and index. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Language |
Ten presentations in English, nine in French. |
| Subject |
Motion pictures -- History -- 20th century.
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Motion pictures. |
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History. |
| Chronological Term |
20th century |
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1900 - 1999 |
| Genre/Form |
Electronic books.
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History.
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| Added Author |
Ortoli, Philippe, 1970-
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| Other Form: |
Print version: Lefait, Sebastien. In Praise of Cinematic Bastardy. Newcastle upon Tyne : Cambridge Scholars Publishing, ©2012 9781443837828 |
| ISBN |
9781443838634 (electronic book) |
|
1443838632 (electronic book) |
|
1299659136 |
|
9781299659131 |
|
1443837822 |
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9781443837828 |
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