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019 880827194|a881035368|a882262631|a967264140
020 0199384924|q(electronic book)
020 9780199384921|q(electronic book)
020 1306823196
020 9781306823197
020 9780199984619
020 0199984611
020 |z9780199765034|q(hardcover ;|qalkaline paper)
020 |z0199765030|q(hardcover ;|qalkaline paper)
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049 RIDW
050 4 ML160|b.O96 2014
072 7 MUS|x006000|2bisacsh
072 7 MUS|x033000|2bisacsh
082 04 780.9|223
090 ML160|b.O96 2014
245 04 The Oxford handbook of music revival /|cedited by Caroline
Bithell and Juniper Hill.
246 30 Handbook of music revival
264 1 New York, NY :|bOxford University Press,|c[2014]
264 4 |c©2014
300 1 online resource (x, 701 pages).
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|2rdaft
490 1 Oxford Handbooks in Music
500 Includes discographies.
504 Includes bibliographical references and index.
505 0 Cover; The Oxford Handbook of Music Revival; Copyright;
Contents; List of Contributors; About the Companion
Website; part I Towards Multiple Theories of Music
Revival; 1. An Introduction to Music Revival as Concept,
Cultural Process, and Medium of Change; 2. Traditional
Music, Heritage Music; 3. An Expanded Theory for Revivals
as Cosmopolitan Participatory Music Making; part II
Scholars and Collectors as Revival Agents; 4. Antiquarian
Nostalgia and the Institutionalization of Early Music; 5.
A Folklorist's Exploration of the Revival Metaphor.
505 8 6. A Participant-Documentarian in the American
Instrumental Folk Music Revivalpart III Intangible
Cultural Heritage, Preservation, and Policy; 7. Reviving
Korean Identity through Intangible Cultural Heritage; 8.
Music Revival, Ca Trù Ontologies, and Intangible Cultural
Heritage in Vietnam; 9. The Hungarian Dance House Movement
and Revival of Transylvanian String Band Music; part IV
National Renaissance and Postcolonial Futures; 10.
National Purity and Postcolonial Hybridity in India's
Kathak Dance Revival; 11. Choreographic Revival, Elite
Nationalism, and Postcolonial Appropriation in Senegal.
505 8 12. Revived Musical Practices within Uzbekistan's Evolving
National Project13. Two Revivalist Moments in Iranian
Classical Music; 14. Reclaiming Choctaw and Chickasaw
Cultural Identity through Music Revival; part V Recovery
from War, Disaster, and Cultural Devastation; 15.
Revivalist Articulations of Traditional Music in War and
Postwar Croatia; 16. Cultural Rescue and Musical Revival
among the Nicaraguan Garifuna; 17. Toward a Methodology
for Research into the Revival of Musical Life after War,
Natural Disaster, Bans on all Music, or Negle; part VI
Innovations and Transformations.
505 8 18. Innovation and Cultural Activism through the
Reimagined Pasts of Finnish Music Revivals19. Revival
Currents and Innovation on the Path from Protest Bossa to
Tropicália; 20. Bending or Breaking the Native American
Flute Tradition?; 21. Toward an Application of
Globalization Paradigms to Modern Folk Music Revivals;
part VII Festivals, Marketing, and Media; 22. Contemporary
English Folk Music and the Folk Industry; 23. Ivana Kupala
(St. John's Eve) Revivals as Metaphors of Sexual Morality,
Fertility, and Contemporary Ukrainian Femininity.
505 8 24. Trailing Images and Culture Branding in Post-
Renaissance Hawai'i25. Grassroots Revitalization of North
American and Western European Instrumental Music
Traditions from Fiddlers Associations t; part VIII
Diaspora and the Global Village; 26. Georgian Polyphony
and its Journeys from National Revival to Global Heritage;
27. Irish Music Revivals Through Generations of Diaspora;
28. Reviving the Reluctant Art of Iranian Dance in Iran
and in the American Diaspora; 29. Musical Remembrance,
Exile, and the Remaking of South African Jazz (1960-1979);
30. Re-flections; Index.
520 Revival movements aim to revitalize traditions perceived
as threatened or moribund by adapting them to new temporal,
spatial, and social contexts. While many of these
movements have been well-documented in Western Europe and
North America, those occurring and recurring elsewhere in
the world have received little or no attention.
Particularly under-analyzed are the aftermaths of revivals
: the new infrastructures, musical styles, performance
practices, subcultural communities, and value systems that
grow out of these movements. The Oxford Handbook of Music
Revival fills this gap, and helps us ach.
588 0 Print version record.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
650 0 Music|xHistory and criticism.|0https://id.loc.gov/
authorities/subjects/sh85088794
650 7 Music.|2fast|0https://id.worldcat.org/fast/1030269
655 0 Electronic books.
655 4 Electronic books.
655 7 Criticism, interpretation, etc.|2fast|0https://
id.worldcat.org/fast/1411635
655 7 Handbooks and manuals.|2lcgft|0https://id.loc.gov/
authorities/genreForms/gf2014026109
655 7 Handbooks and manuals.|2fast|0https://id.worldcat.org/fast
/1423877
700 1 Bithell, Caroline,|d1957-|0https://id.loc.gov/authorities/
names/n2007005326|eeditor.
700 1 Hill, Juniper,|0https://id.loc.gov/authorities/names/
n2013069667|eeditor.
776 08 |iPrint version:|tOxford handbook of music revival.|dNew
York : Oxford University Press, [2014]|z9780199765034
|w(DLC) 2013047204|w(OCoLC)864789845
830 0 Oxford Handbooks in Music.
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=783526|zOnline eBook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this eBook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20200122|cEBSCO|tEBSCOebooksacademic NEW 12-21,1-17
11948|lridw
994 92|bRID
