Description |
1 online resource (298 pages). |
|
text file |
Series |
Cambridge Studies in Romanticism
|
|
Cambridge studies in Romanticism.
|
Contents |
Cover; Romantic Women Writers, Revolution, and Prophecy; Series; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction: reading and writing the end of the world; Romantic millenarianism and the female tradition of prophecy; Revolution, prophecy, and the social contract; Romantic prophecy and speech-act theory; Chapter 1 Verbal magic: an etymology of female enthusiasm; The Civil War and a new tradition of female prophecy; Female prophecy in the eighteenth century; Sensibility and excess: female enthusiasm on trial; The French Revolution and radical female enthusiasm. |
|
Germaine de Staël: nationalism and female enthusiasmChapter 2 The Second Coming of Hester Lynch Piozzi; Alpha and omega; Corilla and The Florence Miscellany; Thraliana, the French Revolution, and visions of "N'Apollione"; Etymology and catastrophe: The Diversions of Purley and British Synonymy; Retrospection; Chapter 3 "I, being the representative of Liberty": Helen Maria Williams and the utopian performative; "Moral weeping," typology, and female sensibility: Williams's early poetry; Julia and the limits of prophecy; Letters Written in France and the new millennium. |
|
"Spectacles of horror": the passion of female sensibilityChapter 4 The Passion of the Gothic heroine: Ann Radcliffe and the origins of narrative; Typology and the Gothic heroine; "Holy enthusiasm filled her heart": gender and mysticism in A Sicilian Romance; The Romance of the Forest: Adeline as prophetess; "You speak like a heroine": The Mysteries of Udolpho and the dangers of romance; The Italian: the Passion of the Gothic heroine; "Look Deep to the Novel and Mark What I Say": Joanna Southcott and The Romance of the Forest; Chapter 5 Anna Barbauld as Enlightenment prophet. |
|
"The daring flight controul": Barbauld's early poems"The writing on the wall": Barbauld as radical prophetess; "Eighteen Hundred and Eleven"; Chapter 6 Prophesying tragedy: Mary Shelley and the end of Romanticism; Prophecy and monstrosity: the tragedies of Frankenstein and Mathilda; The beginning and the end of the female prophetic tradition: Beatrice and Euthanasia; Female prophecy and the demonic: The Last Man as rhetorical Apocalypse; Epilogue; Notes; Bibliography; Index. |
Summary |
This book challenges our current critical understanding of the relations between gender, genre and literary authority in this period. |
Bibliography |
Includes bibliographical references and index. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
English fiction -- Women authors -- History and criticism.
|
|
English fiction -- Women authors. |
|
English fiction -- 19th century -- History and criticism.
|
|
English fiction. |
Chronological Term |
19th century |
Subject |
Romanticism -- Great Britain.
|
|
Romanticism. |
|
Great Britain. |
|
Prophecy in literature.
|
|
Prophecy in literature. |
Chronological Term |
1800-1899 |
Genre/Form |
Electronic books.
|
|
Criticism, interpretation, etc.
|
Other Form: |
Print version: Smith, Orianne. Romantic Women Writers, Revolution, and Prophecy : Rebellious Daughters, 1786-1826. Cambridge : Cambridge University Press, ©2013 9781107027060 |
ISBN |
1107333326 (electronic book) |
|
9781107333321 (electronic book) |
|
9781139208840 (electronic book) |
|
1139208845 (electronic book) |
|
9781107336643 (electronic book) |
|
1107336643 (electronic book) |
|
9781107334984 |
|
1107334985 |
|
9781107027060 (hardback ; alkaline paper) |
|
1107027063 (hardback ; alkaline paper) |
|
9781299403253 |
|
1299403255 |
|