| Description |
1 online resource (xii, 266 pages) : illustrations, music |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction : film rhythm and the problem of sound -- A lesson with Eisenstein : rhythm and pacing in Ivan the Terrible, Part I -- Mickey Mousing reconsidered -- Lubitsch and Mamoulian -- Dialogue timing and performance in Hawks. |
| Summary |
The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney's Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian, |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Sound in motion pictures.
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Sound in motion pictures. |
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Motion picture music.
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Motion picture music. |
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Dialogue in motion pictures.
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Dialogue in motion pictures. |
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Motion pictures -- Production and direction.
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Motion pictures -- Production and direction. |
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Rhythm.
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Rhythm. |
| Genre/Form |
Electronic books.
|
| Other Form: |
Print version: Jacobs, Lea, author. Film rhythm after sound 9780520279643 (DLC) 2014031038 (OCoLC)887450898 |
| ISBN |
9780520960015 (electronic book) |
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0520960017 (electronic book) |
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9780520279643 |
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0520279646 |
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9780520279650 |
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0520279654 |
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