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LEADER 00000cam a2200697 i 4500 
001    on1291361998 
003    OCoLC 
005    20230929133626.0 
006    m     o  d         
007    cr cnu---unuuu 
008    211115t20222022nyu     o     000 0 eng d 
019    1291632794|a1291695246|a1291732882|a1291877974|a1296613365
020    9780823298594|q(electronic book) 
020    0823298590|q(electronic book) 
020    9780823298587|q(electronic book) 
020    0823298582|q(electronic book) 
020    |z9780823298570 
020    |z0823298574 
020    |z9780823298563 
020    |z0823298566 
035    (OCoLC)1291361998|z(OCoLC)1291632794|z(OCoLC)1291695246
       |z(OCoLC)1291732882|z(OCoLC)1291877974|z(OCoLC)1296613365 
037    22573/ctv27875k7|bJSTOR 
040    P@U|beng|erda|epn|cP@U|dYDX|dEBLCP|dYDX|dOCLCO|dJSTOR
       |dOCLCF|dN$T|dDEGRU|dOCLCO|dOCLCQ|dOCLCO|dRDF|dSTBDS
       |dOCLCQ|dOCLCO 
043    n-us--- 
049    RIDW 
050  4 N6537.W234|bK38 2022 
072  7 ART|x015100|2bisacsh 
072  7 HIS|x036040|2bisacsh 
072  7 SOC|x007000|2bisacsh 
082 04 709.2|223 
090    N6537.W234|bK38 2022 
100 1  Katz, Wendy Jean,|eauthor. 
245 12 A true American :|bWilliam Walcutt, nativism, and 
       nineteenth-century art /|cWendy Jean Katz. 
250    First edition. 
264  1 New York :|bFordham University Press,|c2022. 
264  4 |c©2022 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  A Native-Born Artist -- A Cooperative Model for Art -- 
       Native Americans and the West -- Fairies, Allegory, and 
       the Spiritualists -- The Young Americans at Home and 
       Abroad -- More Lasting Monuments -- Conclusion: Walcutt's 
       Revival. 
520    "This book argues that nativism, the hostility especially 
       to Catholic immigrants that led to the organization of 
       political parties like the Know-Nothings, affected the 
       meaning of nineteenthcentury American art in ways that 
       have gone unrecognized. In an era of industrialization, 
       nativism's erection of barriers to immigration appealed to
       artisans, a category that included most male artists at 
       some stage in their careers. But as importantly, its 
       patriotic message about the nature of the American 
       republic also overlapped with widely shared convictions 
       about the necessity of democratic reform. Movements 
       directed toward improving the human condition, including 
       anti-slavery and temperance, often consigned Catholicism, 
       along with monarchies and slavery, to a repressive past, 
       not the republican American future. To demonstrate the 
       impact of this political effort by humanitarian reformers 
       and nativists to define a Protestant character for the 
       country, this book tracks the work and practice of artist 
       William Walcutt. Though he is little known today, in his 
       own time his efforts as a painter, illustrator and 
       sculptor were acclaimed as masterly, and his art is worth 
       reconsidering in its own right. But this book examines him
       as a case study of an artist whose economic and personal 
       ties to artisanal print culture and cultural nationalists 
       ensured that he was surrounded by and contributed to anti-
       Catholic publications and organizations. Walcutt was not 
       anti immigrant himself, nor a member of a nativist party, 
       but his kin, friends, and patrons publicly expressed 
       warnings about Catholic and foreign political influence. 
       And that has implications for better-known nineteenth-
       century historical and narrative art. Precisely because 
       Walcutt's profile and milieu were so typical for artists 
       in this period, this book is able to demonstrate how 
       central this supposedly fringe movement was to viewers and
       makers of American art"--|cProvided by publisher 
588 0  Online resource; title from digital title page (viewed on 
       January 24, 2022). 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
600 10 Walcutt, William,|d1819-1882|xCriticism and 
       interpretation. 
600 11 Walcutt, William,|d1819-1882|xCriticism and 
       interpretation. 
648  7 1800-1899|2fast 
650  0 Art and society|zUnited States|xHistory|y19th century. 
650  0 Nativism|vCase studies. 
650  7 ART|xHistory|xModern (late 19th Century to 1945)|2bisacsh 
650  7 Art and society|2fast 
650  7 Nativism|2fast 
651  7 United States|2fast 
655  7 Case studies|2fast 
655  7 Criticism, interpretation, etc.|2fast 
655  7 History|2fast 
776 08 |iPrint version:|z9780823298570|z0823298574|w(DLC)  
       2021054448|w(OCoLC)1233165689 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2734127|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
948    |d20240319|cEBSCO|tEBSCOebooksacademic NEW 9-29-23 3174
       |lridw 
994    92|bRID