| Description |
1 online resource (x, 329 pages) : illustrations (chiefly color) |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction Complexities of Genre, of Mediation and of Community Mads Krogh and Morten Michelsen Section I: Music Radio Ethnographies; 1. Migrant Radio, Community and (New) Fado: The Case of Radio ALFA Pedro Moreira, Universidade Nova, Portugal; 2. On Sonic Assemblage: Indigenous Radio and the Management of HeteroglossiaDaniel Fisher, University of California, Berkeley, USA; 3. Voicing Otherness on Air: Theorizing Radio Through the Figure of VoiceKristine Ringsager, Aalborg University, Denmark, and Sandra Lori Pedersen, University of Copenhagen, DenmarkSection II: Music Radio and Nation Building; 4. Broadcasting the New Nation: Radio and the Intentions Behind National Genres in Latin America Marcio Pinho and Julio Mendivil, Goethe-Universität, Frankfurt; 5. The Edufication and Musicalization of Radio: CKUA, 'Good Music, ' and 'Uplifting Taste'Brian Fauteux, University of Alberta, Canada; 6. Mediated Soundscapes: Representations of the National in the Soundscape Call-in Programme Äänien iltaMeri Kytö, University of Tampere, Finland; 7. Dispositives of Sound: Folk Music Collections, Radio and the National Imagination, 1890s-1960sJohannes Müske, University of Zürich, Switzerland Section III: Music Radio: Genre and Mediation; 8. Mediatization -- Radiofication -- Musicalization Alf Björnberg, University of Gothenburg, Sweden; 9. Formats, Genres and Abstraction: On Musico-Generic Assemblages in the Context of Format Radio Production Mads Krogh, Aarhus University, Denmark; 10. Music Radio's Mediations of the Music-Cultural High/Low Divide Before the 1980s Morten Michelsen, University of Copenhagen, Denmark Section IV: Music Radio Convergences;11. Format, the Literature of American Popular Music and Mr Crump Eric Weisbard, University of Alabama, USA; 12. MTV and the Remediation of FM radioAriane Holzbach, Federal Fluminense University, Brazil; 13. Music Radio as a Format Remediated for the Stream-Based Music Use Andreas Ægidius, University of Southern Denmark. |
| Summary |
Why is music so important to radio? This anthology explores the ways in which musical life and radio interact, overlap and have influenced each other for nearly a century. One of music radio's major functions is to help build smaller or larger communities by continuously offering broadcast music as a means to create identity and senses of belonging. Music radio also helps identify and develop musical genres in collaboration with listeners and the music industry by mediating and by gatekeeping. Focusing on music from around the world, Music Radio discusses what music radio is and why or for what purposes it is produced. Each essay illuminates the intricate cultural processes associated with music and radio and suggests ways of working with such complexities. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Radio and music.
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Radio and music. |
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Music -- Social aspects.
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Music -- Social aspects. |
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Music recording & reproduction. |
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Radio. |
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PERFORMING ARTS -- Reference. |
| Genre/Form |
Electronic books.
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Electronic books.
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| Added Author |
Michelsen, Morten, 1958- editor.
|
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Krogh, Mads, editor.
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Nielsen, Steen Kaargaard, editor.
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Have, Iben, 1970- editor.
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| Other Form: |
Print version: Music radio. New York, NY : Bloomsbury Academic, 2019 9781501343216 (DLC) 2018038770 (OCoLC)1050140817 |
| ISBN |
9781501343223 (electronic book) |
|
150134322X (electronic book) |
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9781501343230 (electronic book) |
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1501343238 (electronic book) |
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9781501343216 (hardback ; alkaline paper) |
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1501343211 (hardback ; alkaline paper) |
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