| Edition |
2nd ed. |
| Description |
x, 392 pages : illustrations, music ; 23 cm |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
The musical world(s?) of Frank Zappa : some observations of his "crossover" pieces / Jonathan W. Bernard -- Frank Zappa's "The black page" : a case of musical "conceptual continuity" / James Borders -- Analytic methodologies for rock music : harmonic and voice-leading strategies in Tori Amos's "Crucify" / Lori Burns -- Jazz-rock? rock-jazz? stylistic crossover in late-1970s American progressive rock / John Covach -- Pitch down the middle / Walter Everett -- Music, contexts, and meaning in U2 / Susan Fast -- From L'étranger to "Killing an Arab" : representing the other in a Cure song / Ellie M. Hisama -- The imagination of pop-rock criticism / Nadine Hubbs -- Trapped within the wheels : flow and repetition, modernism and tradition in Stevie Wonder's "Living for the city" / Tim Hughes -- Fumbling towards ecstasy : voice leading, tonal structure, and the theme of self-realization in the music of Sarah McLachlan / Timothy Koozin -- Country-pop formulae and craft : Shania Twain's crossover appeal / Jocelyn R. Neal -- Large-scale strategy and compositional design in the early music of Genesis / Mark Spicer -- Rock and roll rhapsody : pop epics of the 1970s / Albin Zak. |
| Subject |
Rock music -- History and criticism.
|
|
Rock music. |
|
Rock music -- Analysis, appreciation.
|
|
Rock music -- Analysis, appreciation. |
|
Musical criticism.
|
|
Musical criticism. |
|
Musical analysis.
|
|
Musical analysis. |
| Added Author |
Everett, Walter, 1954- editor, contributor.
|
| Other Form: |
Online version: Expression in pop-rock music. 2nd ed. New York : Routledge, c2008 (OCoLC)639785671 |
| ISBN |
9780415979580 |
|
0415979587 |
|
9780415979597 |
|
0415979595 |
|
