| Description |
xiv, 264 pages : illustrations ; 24 cm |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction: They Called It T.O.B.A. -- "Whistling Coons" No More : Race Uplift & the Path to T.O.B.A. -- "Hebrew, Negro, and American Owners" : Black Vaudeville and Interracial Management -- T.O.B.A Forms : The Interracial Business Plan for a New Negro Business -- The Multiple Meanings of T.O.B.A. : The Performers' Perspective -- A "Responsibility" to Community : Circuit Theaters and Black Regional Audiences -- "Trouble in Mind" : The End of T.O.B.A. Time -- Epilogue: T.O.B.A.'s Legacy. |
| Summary |
"Black vaudevillians and entertainers joked that T.O.B.A. stood for "tough on black artists." But the Theater Owners' Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry and provided a training ground for icons like Cab Calloway, Bessie Smith, Ethel Waters, Sammy Davis Jr., the Nicholas Brothers, Count Basie, and Butterbeans and Susie. Michelle R. Scott's institutional history details T.O.B.A.'s origins and practices while telling the little-known stories of the managers, producers, performers, and audience members involved in the circuit. Looking at the organization over its eleven-year existence (1920-1931), Scott places T.O.B.A. against the backdrop of what entrepreneurship and business development meant in black America at the time. Scott also highlights how intellectuals debated the social, economic, and political significance of black entertainment from the early 1900s through T.O.B.A.'s decline during the Great Depression.Clear-eyed and comprehensive, T.O.B.A. Time is a fascinating account of black entertainment and black business during a formative era"-- Provided by publisher. |
| Subject |
Performing arts -- United States -- Management.
|
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Performing arts. |
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United States. |
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Management. |
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Performing arts -- United States -- Marketing.
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Marketing. |
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African Americans in the performing arts.
|
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African Americans in the performing arts. |
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African American theater -- History.
|
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African American theater. |
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History. |
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Vaudeville -- United States -- History and criticism.
|
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Vaudeville. |
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Theater Owners' Booking Association -- History.
|
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Performing arts -- Management. |
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Performing arts -- Marketing. |
| Genre/Form |
Criticism, interpretation, etc.
|
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History.
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| Other Form: |
Online version: Scott, Michelle R, 1974- T.O.B.A. ti Urbana : University of Illinois Press, [2023] 9780252054037 (DLC) 2022028887 |
| ISBN |
9780252044885 hardcover |
|
0252044886 hardcover |
|
9780252086984 paperback |
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0252086988 paperback |
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9780252054037 electronic book |
|
