LEADER 00000cam a22008777i 4500
001 on1322125405
003 OCoLC
005 20230113054233.0
006 m o d
007 cr cnu---unuuu
008 220524t20222022gw fo 000 0 eng d
020 9783839462522|qelectronic book
020 3839462525|qelectronic book
035 (OCoLC)1322125405
040 DEGRU|beng|erda|cDEGRU|dEBLCP|dN$T|dOCLCF|dYDX
049 RIDW
050 4 P96.S66|bP67 2022
050 4 PN56.P555
072 7 MUS020000|2bisacsh
082 04 302.23|223/eng/20221221
082 04 780
090 P96.S66|bP67 2022
090 PN56.P555
245 00 Postcolonial Repercussions :|bOn Sound Ontologies and
Decolonised Listening /|cJohannes Salim Ismaiel-Wendt,
Andi Schoon (eds.).
264 1 Bielefeld :|bTranscript Verlag,|c[2022]
264 4 |c©2022
300 1 online resource.
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
490 1 Sound Studies Series ;|vvolume 6
505 0 Cover -- Contents -- Instead of an Editorial -- Salam
Godzilla. Unsounding the 1960 Agadir Earthquake -- A
Conversation on Race, Sound, and the Im/possibility of
Decolonised Listening -- Playing it Back. Critical
Reflections on Curating Sound -- "offensichtlich
unbegründet": a work in progress meditation on sonic
biometry, migration and the archive -- From a
Postmodernist Sound to a Decolonized Dancefloor. From
Glitch to Deconstructed Club Music
505 8 Meandering Feuilleton Essay about two concerts that I did
not see. Or: About how I read Hall, Mignolo and Walsh
instead because I want to write an article for an
anthology on Decolonizing Arts and think about whether it
is possible to decolonialize Popular Music -- (Post)
Colonial Streaming: The Social Reproduction of Listening
and Deafness in the Anthropocene -- Buried in the Colonial
Graveyard? Indigenous Sound Ontologies, Repatriation and
the Ethics of Curating Ethnographic Sounds -- Tangier
1999. In search of authenticity. Paul Bowles longs for
something and insists on its existence
505 8 Passageways of Knowing. Music, Movement, Reconnection --
Authors -- List of Illustrations
520 Can sound be perceived independently of its social
dimension? Or is it always embedded in a discursive
network? "Postcolonial Repercussions" explores these
questions in form of a collective conversation. The
contributors have collected sound stories and sound
knowledge from Brazil to Morocco, listened to resonances
from the Underground and the Pacific Ocean, from Popular
Music and speech recognition.The anthology gathers
heterogeneous approaches to emancipatory forms of
ontological listening as well as pleas for critical
fabulation and a practice of care. It tells us about
opportunities, perspectives and the (im)possibility of
decolonised listening.
536 funded by Swiss National Science Foundation (SNSF)
546 In English.
588 Description based on online resource; title from digital
title page (viewed on December 21, 2022).
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
650 0 Sound|0https://id.loc.gov/authorities/subjects/sh85125363
|xSociological aspects.|0https://id.loc.gov/authorities/
subjects/sh2001008870
650 0 Postcolonialism and music.|0https://id.loc.gov/authorities
/subjects/sh2016002124
650 7 Sound.|2fast|0https://id.worldcat.org/fast/1126935
650 7 Postcolonialism and music.|2fast|0https://id.worldcat.org/
fast/1941371
650 7 MUSIC / History & Criticism.|2bisacsh
653 Decolonization.
653 Music.
653 Musicology.
653 Pop Music.
653 Postcolonial Theory.
653 Postcolonialism.
653 Sound.
700 1 Ismaiel-Wendt, Johannes Salim,|eeditor,|econtributor.
700 1 Schoon, Andi,|0https://id.loc.gov/authorities/names/
n2006058037|eeditor,|econtributor.
700 1 Abels, Birgit,|0https://id.loc.gov/authorities/names/
nb2006009049|econtributor,|econtributor.|4https://
id.loc.gov/vocabulary/relators/ctb
700 1 Aubry, Gilles,|0https://id.loc.gov/authorities/names/
no2013143169|econtributor,|econtributor.|4https://
id.loc.gov/vocabulary/relators/ctb
700 1 Fuhr, Michael,|0https://id.loc.gov/authorities/names/
n2003051936|econtributor,|econtributor.|4https://
id.loc.gov/vocabulary/relators/ctb
700 1 Lee, Peggy Kyoungwon,|econtributor,|econtributor.|4https:/
/id.loc.gov/vocabulary/relators/ctb
700 1 Lewy, Matthias,|0https://id.loc.gov/authorities/names/
no2016006941|econtributor,|econtributor.|4https://
id.loc.gov/vocabulary/relators/ctb
700 1 Oliveira, Pedro,|0https://id.loc.gov/authorities/names/
no2007046789|econtributor,|econtributor.|4https://
id.loc.gov/vocabulary/relators/ctb
700 1 Osman, Shanti Suki,|econtributor,|econtributor.|4https://
id.loc.gov/vocabulary/relators/ctb
700 1 Panchia, Bhavisha,|econtributor,|econtributor.|4https://
id.loc.gov/vocabulary/relators/ctb
700 1 Schildhauer, Nadine,|econtributor,|econtributor.|4https://
id.loc.gov/vocabulary/relators/ctb
700 1 Souza Lima, Henrique,|econtributor,|econtributor.|4https:/
/id.loc.gov/vocabulary/relators/ctb
700 1 Thompson, Marie,|0https://id.loc.gov/authorities/names/
n84198034|econtributor,|econtributor.|4https://id.loc.gov/
vocabulary/relators/ctb
700 1 Vieira de Oliveira, Pedro J. S.,|econtributor.
|econtributor.|4https://id.loc.gov/vocabulary/relators/ctb
710 2 Swiss National Science Foundation (SNSF),|efunder,
|efunder.|4http://id.loc.gov/vocabulary/relators/fnd
830 0 Sound studies ;|0https://id.loc.gov/authorities/names/
no2014032788|vv. 6.
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=3360613|zOnline ebook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this ebook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20230203|cEBSCO|tEBSCOebooksacademic NEW 6073 Quarterly
|lridw
994 92|bRID
