| Description |
xii, 423 pages, 16 unnumbered pages of plates : illustrations (some color) ; 29 cm |
| Bibliography |
Includes bibliographical references (pages 403-413) and index. |
| Contents |
The beginning of a complex -- Aycock on her family: facts into myths -- Incarnating thought as baby boomer, cold war soldier, and '60s radical -- From minimalism to the future -- Cresting the minimalist/postminimalist divide -- M.A. thesis: the highway network -- Early work: projecting art into viewer's spaces and the world, the aesthetics of danger, and the synergy of 112 Greene Street -- Maze, 1972 -- Low building with dirt roof (for Mary), 1973 -- Feminism -- Drawing on patriarchal order while deflecting it -- Architectural sculpture -- Site specificity -- Architectural sculpture as suprastruction -- Borges's tear and Aycock's rip -- The true and the false project: embodied and disembodied seeing: phenomenology and schizophrenia -- "The beginning of a complex...": for documenta -- Writerly texts and schizophrenia -- Virtual space, medieval legacies, and architectural sculpture -- From architectural sculpture to The machine that makes the world -- How to catch and manufacture ghosts -- The art of memory in the age of artificial intelligence -- Enmeshed in wisdom's nets -- Sophistry and postmodernism. |
| Subject |
Aycock, Alice -- Criticism and interpretation.
|
|
Aycock, Alice. |
|
Criticism and interpretation. |
| Added Author |
Aycock, Alice.
|
| ISBN |
0262083396 alkaline paper |
|
9780262083393 alkaline paper |
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