| Description |
1 online resource (xi, 292 pages). |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Traditions in world cinema
|
|
Traditions in world cinema.
|
| Bibliography |
Includes bibliographical references (pages 248-268) and index. |
| Contents |
1. Historic, economic, and cultural background -- 2. The New Wave proper/Italian style debate and the explosion of national cinemas -- 3. The aesthetics emerging after the war -- 4. Ideological perimeters: the Catholic-Marxist protocol -- 5. Negotiating modernity: the ethics of disorientation and entrenchment -- 6. Reimagining national identity -- 7. Behavioral codes and sexual mores -- Conclusion: the missing Italy and its missing cinema today. |
| Summary |
This book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representation, and the role of Italian counter-culture. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Realism in motion pictures.
|
|
Realism in motion pictures. |
|
Motion pictures -- Italy -- History.
|
|
Motion pictures. |
|
Italy. |
|
History. |
| Genre/Form |
Electronic books.
|
|
History.
|
| Other Form: |
Print version: Barattoni, Luca. Italian post-neorealist cinema. Edinburgh : Edinburgh University Press, 2012 0748640541 (OCoLC)775413292 |
| ISBN |
9780748650736 (electronic book) |
|
0748650733 (electronic book) |
|
0748640541 |
|
9780748640546 |
|
9781283837323 |
|
1283837323 |
|
