Description |
xiv, 270 pages : illustrations, music ; 26 cm+ 1 videodisc (DVD : sound, color ; 4 3/4 in.) |
Physical Medium |
polychrome |
Description |
digital |
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optical |
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video file |
Note |
Includes index. |
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Listing of DVD text and workbook examples provided in Appendix D. |
Contents |
Part 1. Contextualizing theory and analysis: fundamentals. Ch. 1. Musical time and space ; Ch. 2. Harnessing musical time and space ; Ch. 3. Making choices: when harmony, melody, and rhythm merge -- Pt. 2. Diatonic harmony: functions, expansions, and the phrase model. Ch. 4. Composition and analysis: using I, V, and V7 ; Ch. 5. Contrapuntal expansions of tonic and dominant ; Ch. 6. Pre-dominant, phrase model, and additional embellishments -- Pt. 3. Elaborating the phrase model and combining phrases. Ch. 7. Six-four chords, non-dominant seventh chords, and refining the phrase model ; Ch. 8. Submediant and mediant harmonies ; Ch. 9. Period, double period, and sentence ; Ch. 10. Harmonic sequences: concepts and patterns -- Pt. 4. Chromaticism and larger forms ; Ch. 11. Applied chords and tonicization ; Ch. 12. Modulation and binary form ; Ch. 13. Expressive chromaticism: modal mixture and chromatic modulation ; Ch. 14. Two important chromatic harmonies: the neapolitan chord and the augmented sixth chord ; Ch. 15. Ternary and sonata forms -- Appendix. Additional formal procedures ; Subphrases and composite phrases ; Variation techniques ; Ternary form and the nineteenth-century character piece ; Rondo ; Further characteristics of sonata form. |
Subject |
Music theory.
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Music theory. |
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Harmony.
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Harmony. |
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Counterpoint.
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Counterpoint. |
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Musical form.
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Musical form. |
Genre/Form |
Video recordings.
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Video recordings.
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Added Author |
Bartlette, Christopher A.
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ISBN |
9780195376982 |
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0195376986 |
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0195376994 paperback |
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9780195376999 paperback |
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