LEADER 00000cam a2200625Ma 4500 001 ocn794619907 003 OCoLC 005 20160527040839.1 006 m o d 007 cr cn||||||a|| 008 110623t20122012onca ob 001 0 eng d 019 923776871 020 9781442696143|q(electronic book) 020 1442696141|q(electronic book) 035 (OCoLC)794619907|z(OCoLC)923776871 037 22573/ctt5bfwg|bJSTOR 040 CELBN|beng|epn|cCELBN|dOCLCQ|dE7B|dYDXCP|dOCLCO|dOCLCQ |dJSTOR|dN$T|dOCLCO|dEBLCP|dOCLCO|dOCLCQ|dOCLCO 049 RIDW 050 4 PN56.I42|b.B42 2012eb 050 4 PN721|b.B42 2012eb 072 7 HIS037020|2bisacsh 072 7 LIT000000|2bisacsh 072 7 LIT004190|2bisacsh 072 7 BIO|x007000|2bisacsh 082 04 809.031|222 090 PN56.I42|b.B42 2012eb 090 PN721|b.B42 2012eb 100 1 Bearden, Elizabeth B.,|d1975-|0https://id.loc.gov/ authorities/names/no2012041859 245 14 The emblematics of the self :|bekphrasis and identity in Renaissance imitations of Greek romance /|cElizabeth B. Bearden. 264 1 Toronto [Ont.] :|bUniversity of Toronto Press,|c[2012] 264 3 Saint-Lazare, Quebec :|bCanadian Electronic Library, |c2012. 264 4 |c©2012 300 1 online resource (xiv, 258 pages) :|billustrations, digital file 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 340 |gpolychrome|2rdacc 347 text file|2rdaft 504 Includes bibliographical references (pages 229-247) and index. 505 0 Chapter One The Romance Globe: Why the Renaissance Repainted Greek Romance -- Chapter Two Converso Convertida : Cross-dressed Narration and Ekphrastic Interpretation in Leucippe and Clitophon and Clareo y Florisea -- Chapter Three Amazon Eyes and Shifting Emblems in Sidney's Greek Arcadia -- Chapter Four Painting Counterfeit Canvases: Heliodoran Pictographs, American Lienzos, and European Imaginings of the Barbarian in Cervantes' Persiles -- Chapter Five Pictura Locorum: Heliodoran Hieroglyphs and Anglo-African Identity in Barclay's Argenis -- Chapter Six "We are all picturd in that Piece": Lovers, Persians, Tartars, and the "Tottering" Romance Globe in Lady Mary Wroth's Urania -- Conclusions. 520 The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the "other," as well as new possibilities for early modern identities, in an increasingly global Renaissance. 590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic Collection - North America 650 0 Identity (Philosophical concept) in literature.|0https:// id.loc.gov/authorities/subjects/sh94004953 650 0 Ekphrasis.|0https://id.loc.gov/authorities/subjects/ sh85041446 650 7 Identity (Philosophical concept) in literature.|2fast |0https://id.worldcat.org/fast/966891 650 7 Ekphrasis.|2fast|0https://id.worldcat.org/fast/904124 655 4 Electronic books. 776 08 |iPrint version:|aBearden, Elizabeth R.|tEmblematics of the Self : Ekphrasis and Identity in Renaissance Imitations of Greek Romance.|dToronto : University of Toronto Press, ©2000|z9781442643468 856 40 |uhttps://rider.idm.oclc.org/login?url=http:// search.ebscohost.com/login.aspx?direct=true&scope=site& db=nlebk&AN=682843|zOnline eBook. Access restricted to current Rider University students, faculty, and staff. 856 42 |3Instructions for reading/downloading this eBook|uhttp:// guides.rider.edu/ebooks/ebsco 901 MARCIVE 20231220 948 |d20160607|cEBSCO|tebscoebooksacademic|lridw 994 92|bRID