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006    m     o  d         
007    cr cnu---unuuu 
008    170628s2017    nju     o    s000 0 eng d 
019    1037625555|a1042350327 
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020    0813580005|q(electronic book) 
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020    |z9780813579993|q(e-book (epub) 
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050  4 TR858|b.B63 2017eb 
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100 1  Bode, Lisa,|d1970-|0https://id.loc.gov/authorities/names/
       n2017003610|eauthor. 
245 10 Making believe :|bscreen performance and special effects 
       in popular cinema /|cLisa Bode. 
264  1 New Brunswick :|bRutgers University Press,|c2017. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Techniques of the Moving Image 
504    Includes bibliographical references (pages 197-222) and 
       index. 
505 0  Introduction -- Acting through machines : fidelity and 
       expression from cameras to Mo-Cap -- Behind rubber and 
       pixels : mimesis, seamlessness, and acting achievement -- 
       In another's skin : typecasting, identity, and the limits 
       of proteanism -- Double trouble : authenticity, fakery, 
       and concealed performance labor -- Performing with 
       themselves : versatility, timing, and nuance in multiple 
       roles -- There is no there there : making believe in 
       composite screen space -- Conclusion. 
520    "In the past twenty years, we have seen the rise of 
       digital effects cinema in which the human performer is 
       entangled with animation, collaged with other performers, 
       or inserted into perilous or fantastic situations and 
       scenery. Making Believe sheds new light on these 
       developments by historicizing screen performance within 
       the context of visual and special effects cinema and 
       technological change in Hollywood filmmaking, through the 
       silent, early sound, and current digital eras. Making 
       Believe incorporates North American film reviews and 
       editorials, actor and crew interviews, trade and fan 
       magazine commentary, actor training manuals, and film 
       production publicity materials to discuss the shifts in 
       screen acting practice and philosophy around transfiguring
       makeup, doubles, motion capture, and acting to absent 
       places or characters. Along the way it considers how 
       performers and visual and special effects crew work 
       together, and struggle with the industry, critics, and 
       each other to define the aesthetic value of their work, in
       an industrial system of technological reproduction. Bode 
       opens our eyes to the performing illusions we love and the
       tensions we experience in wanting to believe in spite of 
       our knowledge that it is all make believe in the end"--
       |cProvided by publisher. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Cinematography|xSpecial effects.|0https://id.loc.gov/
       authorities/subjects/sh85026023 
650  0 Digital cinematography.|0https://id.loc.gov/authorities/
       subjects/sh2001001797 
650  0 Human locomotion|0https://id.loc.gov/authorities/subjects/
       sh85062882|xComputer simulation.|0https://id.loc.gov/
       authorities/subjects/sh99005300 
650  0 Movement (Acting)|0https://id.loc.gov/authorities/subjects
       /sh85088015|xTechnique.|0https://id.loc.gov/authorities/
       subjects/sh2002007892 
650  7 Cinematography|xSpecial effects.|2fast|0https://
       id.worldcat.org/fast/861506 
650  7 Digital cinematography.|2fast|0https://id.worldcat.org/
       fast/893633 
650  7 Human locomotion|xComputer simulation.|2fast|0https://
       id.worldcat.org/fast/963160 
650  7 Human locomotion.|2fast|0https://id.worldcat.org/fast/
       963159 
650  7 Movement (Acting)|xTechnique.|2fast|0https://
       id.worldcat.org/fast/1940238 
650  7 Movement (Acting)|2fast|0https://id.worldcat.org/fast/
       1028489 
655  4 Electronic books. 
776 08 |iPrint version:|aBode, Lisa, 1970-|tMaking believe.|dNew 
       Brunswick : Rutgers University Press, 2017|z9780813579986
       |w(DLC)  2016043412|w(OCoLC)959034567 
830  0 Techniques of the moving image.|0https://id.loc.gov/
       authorities/names/no2012119993 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1455688|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20180907|cEBSCO|tEBSCOebooksacademic NEW 8-3-18 2887 
       |lridw 
994    92|bRID