| Description |
1 online resource. |
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text file |
| Series |
Historicizing modernism
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Historicizing modernism.
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| Summary |
"Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"-- Provided by publisher. |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Cover; Half Title; Series page; Title; Copyright; Contents; Acknowledgements; Introduction; 1 Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford; 'The thing perceived and herself perceiving': The double impression; Realism, impressionism and Henry James; Subjectivity and objectivity; Representing the unrepresentable I: Total experience and the distracted subject in Ford Madox Ford's Parade's End; Representing the unrepresentable II: Masculine blindness and feminine angles of vision in Dorothy Richardson's ... |
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Selection and patterning: The impressionist text as tapestry2 Mystical Visions and Primary Perception: May Sinclair and Dorothy Richardson; Naming the unnameable: Silence, mysticism, philosophy, religion; Silence and Maeterlinck; Mysticism, philosophy and the absolute; 'Breaking through the veil of sense': God and reality; 3 Visual Metaphors: Dorothy Richardson and H.D.; Seeing through representation I: The world as art; Seeing through representation II: The body as art; The composite image: Fidelity through multiplicity; Weaving; Cinematic form. |
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Soporific cinema and the creative collaboration of art and audienceInterlude; 4 Memory, Distance, Perspective; Psychology and the novel-.memoir: May Sinclair and Ford Madox Ford; 'Post-.war Freudianity': Trauma, repression and detachment; 'Disinterested contemplation': Dorothy Richardson's March Moonlight and the 'middles'; Gallery spaces: Memory and metaphor in Richardson and H.D.; Conclusion: 'Proust and Proust and Proust. Forwards, Backwards, Upside Down'; Works Cited; Index. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Richardson, Dorothy M. (Dorothy Miller), 1873-1957 -- Criticism and interpretation.
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Richardson, Dorothy M. (Dorothy Miller), 1873-1957. |
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Criticism and interpretation. |
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Ford, Ford Madox, 1873-1939 -- Criticism and interpretation.
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Ford, Ford Madox, 1873-1939. |
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H. D. (Hilda Doolittle), 1886-1961 -- Criticism and interpretation.
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H. D. (Hilda Doolittle), 1886-1961. |
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Sinclair, May -- Criticism and interpretation.
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Sinclair, May. |
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English literature -- 20th century -- History and criticism.
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English literature. |
| Chronological Term |
20th century |
| Subject |
Impressionism in literature.
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Impressionism in literature. |
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Visual perception in literature.
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Visual perception in literature. |
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Memory in literature.
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Memory in literature. |
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Modernism (Literature)
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Modernism (Literature) |
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American literature -- 20th century -- History and criticism.
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American literature. |
| Chronological Term |
1900-1999 |
| Genre/Form |
Electronic books.
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Electronic books.
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Criticism, interpretation, etc.
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| Other Form: |
Print version: Bowler, Rebecca. Literary impressionism. New York : Bloomsbury Academic, 2016 9781474269056 (DLC) 2016005648 |
| ISBN |
9781474269063 (electronic book) |
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1474269060 (electronic book) |
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9781474269070 |
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1474269079 |
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9781474269056 (hardback) |
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1474269052 (hardback) |
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9781474269087 (online) |
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1474269087 |
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