LEADER 00000cam a2200493Ii 4500
001 on1022587288
003 OCoLC
005 20190718105657.0
008 161214t20172017enka b 001 0 eng d
010 2017471356
015 GBB6K7562|2bnb
016 7 018150405|2Uk
020 9781910887134|q(hardback)
020 1910887137|q(hardback)
040 NLE|beng|erda|cNLE|dNLE|dWLU|dOCLCF|dOCLCA|dDLC|dRES|dKUK
|dWCH
049 WCHA
050 4 NX449|b.P47 2017
090 NX449|b.P474 2017
245 00 Performing medieval text /|cedited by Ardis Butterfield,
Henry Hope and Pauline Souleau.
264 1 Cambridge :|bLegenda, an imprint of the Modern Humanities
Research Association,|c2017.
264 4 |c©2017
300 viii, 217 pages :|billustrations (some colored) ;|c25 cm.
336 text|2rdacontent
337 unmediated|2rdamedia
338 volume|2rdacarrier
490 0 Legenda (General series)
504 Includes bibliographical references and indexes.
505 00 |tPerforming manuscripts /|rElizabeth Eva Leach --|tWhy
Job was not a musician : patron saints of music and
musicians in the Middle Ages /|rFranz Körndle --|tGiving
voice to Samson and Delilah : troubadour and monastic
songs of the thirteenth and fourteenth centuries /
|rCatherine Lèglu --|tTíđ, tíđindi : Skaldic verse as
performance event /|rAnnemari Ferreira --|tAustinian
performance utterance and the Thomistic doctrine of the
sacraments /|rMatthew Cheung Salisbury --|tDante's
purgatory and liturgical performance /|rJennifer Rushworth
--|tAmbiguous author portraits in Christine de Pizan's
compilation manuscript, British Library, Harley MS 4431 /
|rCharlotte E. Cooper --|tPerforming self and (self-
)representations : Froissart's identities in Le voyage en
Béarn and in Alexandre Dumas's novels /|rPauline Souleau -
-|t"Advenisti desiderabilis" : Emperor Charles V as the
saviour of true faith /|rMoritz Kelber --|tMonophonic song
in motets : performing quoted material and performing
quotation /|rMatthew P. Thomson --|tPerforming Minnesang :
editing "Loybere risen" /|rHenry Hope.
520 "Texts of different kinds grant insight into the rich
cultural canvas of the Middle Ages: epic poetry,
vernacular lyric, and music; liturgical rites and
ceremonial manuals; manuscripts, illuminations, modern
adaptations and editions, and many more. Adopting a range
of disciplinary perspectives--literary studies, liturgical
studies, and musicology--this collection of essays reveals
the two-fold performative nature of such texts: they
document, mediate, or prefigure acts of performance, while
at the same time taking on performative roles themselves
by generating additional layers of meaning. Focussing on
acts, authors, and performative processes of reception,
the contributors demonstrate the significance of the
performative to the culture and study of the High and Late
Middle Ages (c.1000-1500), from troubadour songs and
Minnesang to motets, from the biblical figure of Job to
Christine de Pizan and Dante, from Scandinavia to Béarn
and Imperial Augsburg." --publisher's web page, viewed 2/
27/18
650 0 Arts, Medieval.|0https://id.loc.gov/authorities/subjects/
sh85008413
650 0 Civilization, Medieval.|0https://id.loc.gov/authorities/
subjects/sh85026463
650 0 Performative (Philosophy)|0https://id.loc.gov/authorities/
subjects/sh85099817
650 7 Arts, Medieval.|2fast|0https://id.worldcat.org/fast/818126
650 7 Civilization, Medieval.|2fast|0https://id.worldcat.org/
fast/863049
650 7 Performative (Philosophy)|2fast|0https://id.worldcat.org/
fast/1057886
700 1 Butterfield, Ardis,|0https://id.loc.gov/authorities/names/
n2002066811|eeditor.
700 1 Hope, Henry,|d1986-|0https://id.loc.gov/authorities/names/
no2014148421|eeditor.
700 1 Souleau, Pauline,|d1985-|0https://id.loc.gov/authorities/
names/no2014164489|eeditor.
710 2 Modern Humanities Research Association,|0https://
id.loc.gov/authorities/names/n80067042|eissuing body.
901 MARCIVE 20231220
994 C0|bWCH
