Skip to content
You are not logged in |Login  

LEADER 00000cam a2200685Ia 4500 
001    ocn870946159 
003    OCoLC 
005    20210702123151.2 
006    m     o  d         
007    cr |n||||||||| 
008    140222s2014    nyu     ob    001 0 eng d 
010      2013023314 
015    GBB7B7630|2bnb 
016 7  018404774|2Uk 
019    878299374|a878924650|a879242895|a1162573553|a1167193820 
020    9781782382799|q(electronic book) 
020    1782382798|q(electronic book) 
020    1306690447|q(e-book) 
020    9781306690447|q(e-book) 
020    |z9781782382782|q(hardback) 
020    |z178238278X|q(hardback) 
035    (OCoLC)870946159|z(OCoLC)878299374|z(OCoLC)878924650
       |z(OCoLC)879242895|z(OCoLC)1162573553|z(OCoLC)1167193820 
037    22573/ctt7hzf89|bJSTOR 
040    EBLCP|beng|epn|cEBLCP|dOCLCQ|dN$T|dE7B|dYDXCP|dOCLCO|dCUS
       |dOCLCO|dOCLCQ|dOCLCO|dJSTOR|dIDEBK|dCDX|dOCLCF|dOCLCO
       |dQGK|dOCL|dOCLCO|dOCLCQ|dOCLCO|dUAB|dMERUC|dOCLCQ|dCOCUF
       |dSTF|dLOA|dCOO|dCUY|dZCU|dICG|dNLE|dK6U|dVT2|dU3W|dOCLCQ
       |dUKMGB|dWYU|dLVT|dTKN|dDKC|dOCLCQ|dUKAHL|dOCLCQ|dVLY|dLUN
049    RIDW 
050  4 PN1995 .C341 2014 
072  7 PER|x009000|2bisacsh 
072  7 PER004030|2bisacsh 
072  7 PER004000|2bisacsh 
082 04 791.43612 
090    PN1995 .C341 2014 
100 1  Campora, Matthew,|0https://id.loc.gov/authorities/names/
       n2013033837|eauthor. 
245 10 Subjective realist cinema :|bfrom expressionism to 
       inception /|cMatthew Campora. 
264  1 New York, NY :|bBerghahn Books,|c2014. 
300    1 online resource (160 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 0  1. Complex Narratives; The New Hollywood and the Smart 
       Film; New Hollywood Narration; Fragmented Narratives; 
       Multi-strand Narratives; Multiform Narratives; Brazil; 
       Puzzle Films -- 2. Two Trajectories of the Cinema of 
       Attractions; The Narrative Trajectory: Realism and 
       Spectacle; The Avant-Garde Trajectory: Realism and 
       Defamiliarization -- 3. Subjective Realism and Multiform 
       Narratives; Subjective Realism; Vertigo; The Fantastic; 
       Wild Strawberries; 4. Mulholland Drive; Expressionism and 
       the Uncanny in Mulholland DriveThree Views; As Surrealist 
       or Trance Film; As Fragmented, Subjective Realist Film; As
       Supernatural Film; It Is All an Illusion -- 5. Memento; 
       The Four Strands; Unreliable Narration; Disrupted 
       Expectations; Subjective Realism --6. Eternal Sunshine of 
       the Spotless Mind; The Philosophy of Eternal Sunshine; 
       Temporal Inversions; Subjective Realism; Sonic Metalepsis;
       The Marvelous Real -- Conclusion -- Filmography -- 
       Bibliography -- Index. 
520    Subjective Realist Cinema looks at the fragmented 
       narratives and multiple realities of a wide range of films
       that depict subjective experience and employ "subjective 
       realist" narration, including recent examples such as 
       Mulholland Drive, Memento, and Eternal Sunshine of the 
       Spotless Mind. The author proposes that an understanding 
       of the narrative structures of these films, particularly 
       their use of mixed and multiple realities, enhances 
       viewers' enjoyment and comprehension of such films, and 
       that such comprehension offers a key to understanding 
       contemporary filmmaking. 
546    English. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Motion pictures|xPhilosophy.|0https://id.loc.gov/
       authorities/subjects/sh2008108033 
650  0 Subjectivity in motion pictures.|0https://id.loc.gov/
       authorities/subjects/sh2001005702 
650  0 Realism in motion pictures.|0https://id.loc.gov/
       authorities/subjects/sh85111771 
650  7 Motion pictures|xPhilosophy.|2fast|0https://
       id.worldcat.org/fast/1027348 
650  7 Subjectivity in motion pictures.|2fast|0https://
       id.worldcat.org/fast/1136580 
650  7 Realism in motion pictures.|2fast|0https://id.worldcat.org
       /fast/1091239 
655  4 Electronic books. 
776 08 |iPrint version:|aCampora, Matthew.|tSubjective realist 
       cinema.|dNew York : Berghahn Books, 2014|z9781782382782
       |w(DLC)  2013023314|w(OCoLC)848268013 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=638341|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20210708|cEBSCO|tEBSCOebooksacademic NEW 5016 |lridw 
994    92|bRID