| Description |
1 online resource |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references and index. |
| Summary |
"From the mid-20th century to the present, the Brazilian cultural scene and its art, literature, and music has been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, radio, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chavez and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework"-- Provided by publisher. |
| Contents |
Cover; Contents; List of Figures; Foreword: The Clash between Body and Artwork Ricardo Basbaum; Acknowledgments; Introduction Rui Chaves and Fernando Iazzetta; Part One Abre-Alas; 1 Sounds from Elsewhere: Episodes for a History of Brazilian Sound Art Fernando Iazzetta; 2 Making Oneself Heard in Public, through Art and in Sound-Based Scholarship Rui Chaves; Part Two Bateria; 3 Music Is What I Make Vivian Caccuri; 4 Radio Art, Cassette Culture, and Networked Artistic Practices: The International Ra(u)dio Art Show (IRAS) in Recife Yuri Bruscky; Part Three Barracão |
|
5 Gambiarra's Perspective Giuliano Obici6 Listening to the Debris: Brazilian Sound Art and the Low-Technology Economy André Damião; Part Four Avenida; 7 Being in the Field: Process, Narrativity, and Discovery in the Field-Recording Work of Thelmo Cristovam and Alexandre Fenerich Paulo Dantas; 8 Other Paths to Sonic Cartographies: "Mapa Sonoro CWB" and Its Untethered Soundwalks Thaís Aragão; Part Five Batucada; 9 Out of the Mainstream: Noise and Otherness in the Work of Marie Carangi, Paula Garcia, and Sofia Caesar Lílian Campesato |
|
10 Counter-Tradition: Toward the Black Vanguard of Contemporary Brazil GG Albuquerque11 Engaged Sonorities: Politics and Gender in the Work of Vanessa De Michelis Tânia Mello Neiva; Afterword: The Audibility of Brazilian Sound Art Ana M. Ochoa Gautier; Notes on Contributors; Index |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Sound in art.
|
|
Sound in art. |
|
Arts, Brazilian -- 20th century -- Themes, motives.
|
|
Arts, Brazilian. |
| Chronological Term |
20th century |
| Subject |
Arts, Brazilian -- 21st century -- Themes, motives.
|
| Chronological Term |
21st century |
| Subject |
Art and music -- Brazil.
|
|
Art and music. |
|
Brazil. |
|
Themes, motives. |
|
Non-Western music: traditional & classical. |
| Chronological Term |
1900-2099 |
| Added Author |
Chaves, Rui, editor.
|
|
Iazzetta, Fernando, editor.
|
| Other Form: |
Print version: Making it heard [1.] New York : Bloomsbury Academic, 2019. 9781501344435 (DLC) 2019025880 |
| ISBN |
9781501344442 electronic book |
|
1501344447 electronic book |
|
9781501344459 electronic book |
|
1501344455 electronic book |
|
9781501344435 hardcover |
|
