Description |
1 online resource (xxi, 266 pages) : illustrations. |
Physical Medium |
polychrome |
Description |
text file |
Series |
Ohio University research in international studies. Global and comparative studies series ; number 18
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Research in international studies. Global and comparative studies series ; no. 18.
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Bibliography |
Includes bibliographical references and index. |
Contents |
Intro; Contents; Illustrations; Acknowledgments; 1: "Boomerang"; 2: "Understand Where I'm Coming From"; 3: "Lettre à Mr le Président"; 4: "Femme de Combat"; 5: "Make You No Forget"; 6: "Brkn Lngwjz"; Epilogue; By Way of an Afterword, by Akosua Adomako Ampofo; Appendix 1: Artist Interviews; Appendix 2: Companion Website; Notes; References; Index. |
Summary |
Throughout Africa, artists use hip-hop both to describe their lives and to create shared spaces for uncensored social commentary, feminist challenges to patriarchy, and resistance against state institutions, while at the same time engaging with the global hip-hop community. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Rap (Music) -- Social aspects -- Africa.
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Rap (Music) -- Social aspects. |
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Africa. |
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Rap (Music) -- Africa -- History and criticism.
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Rap (Music) |
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Hip-hop -- Africa.
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Hip-hop. |
Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
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Other Form: |
Print version: Clark, Msia Kibona. Hip-hop in Africa. Athens, Ohio : Ohio University Press, [2018] 9780896803183 089680318X (DLC) 2018001344 |
ISBN |
9780896805026 (electronic book) |
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0896805026 (electronic book) |
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9780896803183 |
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089680318X |
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9780896803190 |
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0896803198 |
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