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001    ocn904979263 
003    OCoLC 
005    20170127063618.9 
006    m     o  d         
007    cr cnu---unuuu 
008    150317s2015    cau     ob    001 0 eng d 
019    923711257 
020    9780804794749|qelectronic book 
020    080479474X|qelectronic book 
020    |z9780804790772 
020    |z0804790779 
035    (OCoLC)904979263|z(OCoLC)923711257 
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043    n-us-ca 
049    RIDW 
050  4 PN1993.5.U65|bC626 2015eb 
072  7 BUS|x070060|2bisacsh 
072  7 TEC|x041000|2bisacsh 
082 04 384/.80979494|223 
090    PN1993.5.U65|bC626 2015eb 
100 1  Connor, J. D.,|0https://id.loc.gov/authorities/names/
       no2014155520|eauthor. 
245 14 The studios after the studios :|bneoclassical Hollywood 
       (1970-2010) /|cJ.D. Connor. 
264  1 Stanford, California :|bStanford University Press,|c2015. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Post 45 
504    Includes bibliographical references and index. 
505 0  Logorrhea, or, How to watch a Hollywood movie -- Last of 
       the independents : paranoid auteurs and the invention of 
       neoclassical Hollywood -- The literal and the littoral : 
       Jaws -- Paramount I : from the director's company to high 
       concept -- Our man in Armani : the Ovitz interregnum -- 
       The projections : neoclassicism in action -- Paramount II 
       : the residue of design -- Let's make the weather : chaos 
       comes to Hollywood -- Hollywood the day after tomorrow : 
       neoclassical endings? -- That oceanic feeling : one merger
       too many -- The anxious epic and the qualms of empire : 
       conglomerate overstretch. 
520    Modern Hollywood is dominated by a handful of studios: 
       Columbia, Disney, Fox, Paramount, Universal, and Warner 
       Bros. Threatened by independents in the 1970s, they 
       returned to power in the 1980s, ruled unquestioned in the 
       1990s, and in the new millennium are again beseiged. But 
       in the heyday of this new classical era, the major studios
       movies - their stories and styles - were astonishingly 
       precise biographies of the studios that made them. Movies 
       became product placements for their studios, advertising 
       them to the industry, to their employees, and to the 
       public at large. If we want to know how. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Motion picture studios|0https://id.loc.gov/authorities/
       subjects/sh85088077|zCalifornia|zLos Angeles|0https://
       id.loc.gov/authorities/names/n79021240-781|xHistory.
       |0https://id.loc.gov/authorities/subjects/sh99005024 
650  0 Motion picture industry|zCalifornia|zLos Angeles|xHistory.
       |0https://id.loc.gov/authorities/subjects/sh2008107995 
650  0 Motion pictures|zCalifornia|zLos Angeles|xHistory.|0https:
       //id.loc.gov/authorities/subjects/sh2010102511 
650  7 Motion picture studios.|2fast|0https://id.worldcat.org/
       fast/1027256 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Motion picture industry.|2fast|0https://id.worldcat.org/
       fast/1027150 
650  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1027285 
651  0 Hollywood (Los Angeles, Calif.)|xHistory.|0https://
       id.loc.gov/authorities/subjects/sh2008115352 
651  7 California|zLos Angeles.|2fast|0https://id.worldcat.org/
       fast/1204540 
655  0 Electronic books. 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aConnor, J. D., author.|tStudios after 
       the studios|z9780804790772|w(DLC)  2014045954
       |w(OCoLC)894746189 
830  0 Post 45.|0https://id.loc.gov/authorities/names/
       no2011100329 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=960640|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20170505|cEBSCO|tebscoebooksacademic new|lridw 
994    92|bRID