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LEADER 00000cam a2200709Ii 4500 
001    on1046608005 
003    OCoLC 
005    20200110051603.9 
006    m     o  d         
007    cr ||||||||||| 
008    180725s2018    gw      ob   z000 0 eng d 
019    1050353730|a1051039248|a1053861382|a1057773478|a1063760731
020    9783110527704|q(electronic book) 
020    3110527707|q(electronic book) 
020    3110525135 
020    9783110525137 
020    |z9783110525137 
020    |z3110525135 
024 7  10.1515/9783110527704|2doi 
024 3  9783110525137 
035    (OCoLC)1046608005|z(OCoLC)1050353730|z(OCoLC)1051039248
       |z(OCoLC)1053861382|z(OCoLC)1057773478|z(OCoLC)1063760731 
040    DEGRU|beng|erda|epn|cDEGRU|dEBLCP|dCNCGM|dYDX|dCOO|dOCLCQ
       |dOCLCO|dIDB|dOTZ|dOCL|dN$T|dUKAHL|dOCLCF|dOCLCQ 
041 1  eng|hger 
049    RIDW 
050  4 NX650.P64|bF33 2018 
072  7 ART|x060000|2bisacsh 
072  7 ART|x025000|2bisacsh 
082 04 700.1|223 
090    NX650.P64|bF33 2018 
245 00 Faceless :|bre-inventing privacy through subversive media 
       strategies /|cBogomir Doringer, Brigitte Felderer. 
264  1 Berlin ;|aBoston :|bDe Gruyter,|c[2018] 
264  4 |c©2018 
300    1 online resource :|bZahlr. farb. Abb. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|bPDF|2rda 
490 1  Edition Angewandte,|x1866-248X 
504    Includes bibliographical references. 
505 00 |tFrontmatter --|tContents --|tBeginning /|rDoringer, 
       Bogomir --|tFaceless Book /|rMacho, Thomas --|tArchiving 
       faceless /|rDoringer, Bogomir --|tHi! I'm famous new media
       artist Jeremy Bailey! /|rBailey, Jeremy --|tFaceless 
       Praxis in the Age of Zero Trust: Strategies of 
       Disappearance and Distributed Pseudonymity in Art and 
       Research /|rTarasiewicz, Matthias --|tPRIVACY GIFT SHOP /
       |rHarvey, Adam --|tPublic Privacy /|rFelderer, Brigitte --
       |tFuture is Unknown -- I am the Future /|rBosma, Josephine
       --|tBehind the White Shadows of Image Processing: Shirley,
       Lena, Jennifer, and the Angel of History /|rMenkman, Rosa 
       --|tHere Be Faces /|rNiquille, Simone C. --|tSuppressed 
       Images /|rDewey-Hagborg, Heather --|tPermission is a 
       Material: Jill Magid Faces the Information Sublime /
       |rMuggs, Joe --|tSelected Excerpts from the WE MARGIELA 
       Inter views --|tMasking the Body as a Trope of Japanese 
       Reflections on Reality /|rSeidl, Walter --|tExhibitionism 
       as the New Normal: From Presenting to Performing /
       |rKoskela, Hille --|tMuseum /|rKneževic, Nikola / Listopad
       , Bruno --|tunder new moons we stand strong /|rDillon, 
       Teresa --|tIMAGE CREDITS --|tPUBLISHER'S NOTE. 
520    Die Beiträge dieses Buchs sind einem Phänomen auf der Spur
       , das widersprüchlich anmutet: Wir, Computernutzerinnen 
       und User, sind im digitalen Raum in alle Ewigkeit 
       wiederzufinden. Man will einerseits wahrnehmbar, 
       andererseits doch nicht gleich wiedererkennbar sein, sich 
       nicht an eine unüberschaubare Öffentlichkeit ausliefern, 
       gar das Gesicht verlieren. Das Buch dokumentiert 
       künstlerische und andere Strategien, die Möglichkeiten 
       aufzeigen, im unendlichen Buch der Gesichter zu erscheinen
       und sich dabei doch jeglicher Erfassung zu entziehen. Der 
       Wunsch, kein bloßes Objekt des facialen Ausverkaufs zu 
       werden, bleibt dabei nicht bloß ein ästhetisches 
       Unterfangen. Die Beiträge formulieren auch kämpferische 
       wie ironische Ansagen gegen eine digitale Dynamik, die 
       unseren Alltag längst erreicht hat. 
520    The contributions to this book explore a phenomenon that 
       appears to be a contradiction in itself - we, the users of
       computers, can be tracked in digital space for all 
       eternity. Although, on the one hand, one wants to be 
       noticed and noticeable, on the other hand one does not 
       necessarily want to be recognized at the first instance, 
       being prey to an unfathomable public, or - even less so - 
       to lose face. The book documents artistic and other 
       strategies that point out options for appearing in the 
       infinite book of faces whilst nevertheless avoiding being 
       included in any records. The desire not to become a mere 
       object of facial sell-out does not just remain an 
       aesthetic endeavor. The contributions also contain 
       combative and sarcastic statements against a digital 
       dynamic that has already penetrated our everyday lives. 
546    In English. 
588 0  Online resource; title from PDF title page (EBSCO, viewed 
       May 2, 2019) 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 21st century|2fast 
648  7 2000-2099|2fast 
650  0 Privacy in art.|0https://id.loc.gov/authorities/subjects/
       sh96011960 
650  0 Arts, Modern|y21st century.|0https://id.loc.gov/
       authorities/subjects/sh2001009834 
650  7 Privacy in art.|2fast|0https://id.worldcat.org/fast/
       1077442 
650  7 Arts, Modern.|2fast|0https://id.worldcat.org/fast/818137 
655  4 Electronic books. 
700 1  Doringer, Bogomir,|eeditor. 
700 1  Felderer, Brigitte,|0https://id.loc.gov/authorities/names/
       n96097865|eeditor. 
830  0 Edition Die Angewandte, University Press.|0https://
       id.loc.gov/authorities/names/nr2004003035 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1874557|zOnline eBook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20200122|cEBSCO|tEBSCOebooksacademic NEW 12-21,1-17 
       11948|lridw 
994    92|bRID