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037 1023|bMedici.tv
040 FRMTV|beng|erda|epn|cFRMTV|dOCLCO|dFRMTV|dOCLCF|dFRMTV
|dOCLCQ|dOCLCO
041 0 eng|afre|ager|dger|dfre|dita|dpol|jeng
049 OCLC
245 00 Chopin at the opera /|cPars Media, RB Film ; Jan Schmidt-
Garre, director.
264 1 [Place of publication not identified] :|bPars Media :|bRB
Film,|c[2010]
264 4 |c©2010
300 1 online resource (1 video file (57 min., 40 sec.)) :
|bsound, color
306 005740
336 two-dimensional moving image|btdi|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
344 digital|2rda
347 video file|2rda
511 0 Commentaries: Georg-Albrecht Eckle ; Silvain Guignard ;
Peter Feuchtwanger ; Roland Pöntinen ; Jean-Jacques
Eigeldinger ; Katerina Hebelkova ; Michael Stegemann ;
Jörg Splett ; Leni Wesselman (George Sand) ; Ursula Lard
(George Sand).
511 0 Performers: Christiane Libor, soprano ; Vesselina Kasarova,
Katerina Hebelkova, mezzo-soprano ; Roland Pöntinen, Peter
Feuchtwanger, piano ; Dávid Adorján, cello.
520 To celebrate his 200th birthday on 1 March 2010, this film
shows little known facets of Frédéric Chopin: the
passionate opera fan, the admirer of the great female
singers of his time, the advocate of the aesthetics of bel
canto -- the art of beautiful singing accompanied on the
piano. For Chopin the opera represents the highest form of
art, even though he never thought about writing for the
stage himself. His contemporaries Bellini, Donizetti, and
Rossini meant more to him than Beethoven, Liszt, or
Schumann. Their decisive influence is reflected in the
vocal parts of Chopin's piano compositions. Especially the
stylistic influence is applied through the flow, trills,
and cadences of the coloraturas. It was the architect
Adolf Loos who said: "Ornament is crime." Yet, the
ornament is also a place of improvisation, freedom, and
exuberance. At the castle of Chopin's beloved George Sand
in Nohant, France, two singers, a pianist, and an actress
meet with the most knowledgeable contemporary experts on
Chopin and bel canto. For a whole week in late autumn,
they delve into Chopin's opera experiences: his admiration
for the great bel canto singer Giuditta Pasta, his
friendship with Vincenzo Bellini, and his relationship
with Pauline Viardot, daughter of tenor Manuel Garcia and
sister of the mezzo-soprano Maria Malibran, who, as
pianist and composer, worked on Chopin's Mazurkas for
voice and piano. These Mazurkas are, as well as his pure
piano compositions, rehearsed and discussed in Nohant.
Particularly by means of the mezzo-soprano Katerina
Hebelkova's voice, they unfold their musical potential. By
singing arias of Handel, Rossini, and Bellini, the great
bel canto singer Vesselina Kasarova complements Chopin's
influencing sources of inspiration. Likewise influenced by
Chopin, Kasarova seeked a singing career after studying
the piano. Virtuoso she depicts the influence his piano
pieces had on her singing, thereby highlighting that this
aspect is for her no less important than Chopin's
influence on opera as a whole.
546 English, French and German dialogue; sung in German,
French, Italian, and Polish; English subtitles.
588 0 Vendor-supplied metadata.
600 10 Chopin, Frédéric,|d1810-1849|0https://id.loc.gov/
authorities/names/n79127769|xThemes, motives.|0https://
id.loc.gov/authorities/subjects/sh2001008982
600 17 Chopin, Frédéric,|d1810-1849.|2fast|0https://
id.worldcat.org/fast/45258
650 0 Vocal music.|0https://id.loc.gov/authorities/subjects/
sh85144088
650 0 Piano music.|0https://id.loc.gov/authorities/subjects/
sh85101782
650 0 Arrangement (Music)|0https://id.loc.gov/authorities/
subjects/sh85007416
650 7 Themes, motives.|2fast|0https://id.worldcat.org/fast/
1355139
650 7 Vocal music.|2fast|0https://id.worldcat.org/fast/1168379
650 7 Piano music.|2fast|0https://id.worldcat.org/fast/1063403
650 7 Arrangement (Music)|2fast|0https://id.worldcat.org/fast/
815058
655 7 Vocal music.|2fast|0https://id.worldcat.org/fast/1726772
655 7 Piano music.|2fast|0https://id.worldcat.org/fast/1726475
655 7 Internet videos.|2fast|0https://id.worldcat.org/fast/
1750214
655 7 Internet videos.|2lcgft|0https://id.loc.gov/authorities/
genreForms/gf2011026337
655 7 Video recordings.|2lcgft|0https://id.loc.gov/authorities/
genreForms/gf2011026723
655 7 Video recordings.|2fast|0https://id.worldcat.org/fast/
1692913
700 1 Schmidt-Garre, Jan,|0https://id.loc.gov/authorities/names/
no98077285|efilm director.
700 1 Eckle, Georg-Albrecht,|0https://id.loc.gov/authorities/
names/no2008171700|ecommentator.
700 1 Guignard, Silvain,|0https://id.loc.gov/authorities/names/
n85297628|ecommentator.
700 1 Feuchtwanger, Peter,|0https://id.loc.gov/authorities/names
/no2004119853|ecommentator,|einstrumentalist.
700 1 Pöntinen, Roland,|d1963-|0https://id.loc.gov/authorities/
names/n85289737|ecommentator,|einstrumentalist.
700 1 Eigeldinger, Jean-Jacques,|d1940-|0https://id.loc.gov/
authorities/names/n81055618|ecommentator.
700 1 Hebelkova, Katerina,|d1978-|0https://id.loc.gov/
authorities/names/no2010157802|ecommentator,|esinger.
700 1 Stegemann, Michael,|0https://id.loc.gov/authorities/names/
n81137124|ecommentator.
700 1 Splett, Jörg,|0https://id.loc.gov/authorities/names/
n82092165|ecommentator.
700 1 Wesselman, Leni,|ecommentator.
700 1 Lard, Ursula,|ecommentator.
700 1 Libor, Christiane,|0https://id.loc.gov/authorities/names/
no2003048839|esinger.
700 1 Kasarova, Vesselina,|0https://id.loc.gov/authorities/names
/no95053478|esinger.
700 1 Adorján, Dávid,|0https://id.loc.gov/authorities/names/
n2004068708|einstrumentalist.
710 2 Pars Media (Firm),|0https://id.loc.gov/authorities/names/
no2007020486|eproduction company.
710 2 RB Film (Firm),|eproduction company.
856 40 |3Medici.tv|uhttps://rider.idm.oclc.org/login?url=http://
edu.medici.tv/movies/chopin-at-the-opera|zAccess
restricted to current Rider University students, faculty,
and staff.
901 MARCIVE 20231220
948 |d20181012|cLTI|tlti-aup183
948 |d20171012|cLTI|tlti-aup173
948 |d20170313|cRDT original load
948 |d20170922|clti|tlti-aex
994 C0|bOCL
