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LEADER 00000cam a2201213 i 4500 
001    on1248759283 
003    OCoLC 
005    20220702022102.0 
006    m     o  d         
007    cr cnu---unuuu 
008    210421t20212021gw     fo     000 0 eng d 
020    9783839448854|q(electronic book) 
020    3839448859|q(electronic book) 
024 7  10.14361/9783839448854|2doi 
035    (OCoLC)1248759283 
040    DEGRU|beng|erda|epn|cDEGRU|dEBLCP|dN$T|dOCLCO|dOCLCF
       |dYDXIT|dOCLCQ|dOCL|dOCLCO|dYDX|dOCLCO 
043    e------ 
049    RIDW 
050  4 ML1720.3|b.O64 2021 
050  4 PN1475 
082 04 782.109033|223 
082 04 709.04|223 
090    ML1720.3|b.O64 2021 
090    PN1475 
245 00 Operatic Pasticcios in 18th-Century Europe :|bContexts, 
       Materials and Aesthetics /|cBerthold Over, Gesa zur Nieden
       (eds.). 
264  1 Bielefeld :|bTranscript,|c[2021] 
264  4 |c©2021 
300    1 online resource (798 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file 
347    |bPDF 
490 1  Mainz historical cultural sciences ;|vvolume 45 
505 00 |tFrontmatter --|tEditorial --|tContent --|tIntroduction -
       -|tWorld of Pasticcio Reflections on Pre-Existing T ext 
       and Music --|tItalian Pasticcio Opera, 1700-1750 Practices
       and Repertoires --|t1. Pasticcio Principles in Different 
       Arts --|tAntoine Watteau's pasticci --|tPasticcio Practice
       in 18th-Century German Theater --|tAdaptations of Stage 
       Directions and Stage Designs in Pietro Metastasio' s 
       drammi per musica --|tBetween Dwarfs and Giants. 
       Aesthetics of the Pasticcio between London and Hamburg --
       |t2. Pasticcio vs. Pastiche --|tMusical pasticcio: A Plea 
       for a Readymade Ontology for the Musical Work --
       |tPasticcio en littérature? --|tOn the New Significance of
       the Pastiche in Copyright Law --|t3. Traveling Musicians -
       - Traveling Music? --|tA Voice of Two Cities: Francesco 
       Borosini between the Habsburg Court and the Royal Academy 
       --|tDebts and Destiny New Findings on Antonio Maria 
       Peruzzi and the Origin of His Opera Touring Business --
       |tItalian operisti, Repertoire and the aria di baule: 
       Insights from the Pirker Correspondence --|tDido 
       Abandoned? Shifts of Focus and Artistic Choices in Didone 
       Pasticcios of the Mingotti Opera T roupe --|tPalladio as a
       Tool for opera buffa Research. Mapping Opera Troupes and 
       opera buffa Outside of Italy (1745-1765) --|t4. Local 
       Conditions of Pasticcio Production and Reception --
       |tCollaboration, Arrangement, 'Dressing': The Different 
       Recipes for the pasticcio alla napoletana in the First 
       Half of the 18th Century --|tProduction of Opera 
       Pasticcios in Venice in the Early 18th Century. The 
       Impresario's Role --|tArtaserse (Rome, 1721), Nicola 
       Porpora's First Pasticcio --|tSingers of the Viennese 
       Kärntnertortheater in the 1730s in the Light of Aria 
       Substitutions and Pasticcios --|tBook of Pasticcios: 
       Listening to Ormisda's Material Texts --|tBorrowed Voices.
       Legal Ownership of Insertion Arias in 18th-Century London 
       --|tLocal Conditions of Pasticcio Production and Reception
       : Between Prague, W rocław and Moravia --|tGraz 1740 
       Pasticcio Amor, odio e pentimento: A Special Case or 
       Mingottis' s Common Practice? --|tA Granted Royal Wish, or
       Carlo Goldoni' s La buona figliuola with Music by Niccolò 
       Piccinni and Il mercato di Malmantile with Music by 
       Domenico Fischietti, Staged in Warsaw in 1765 --|t5. 
       Pasticcio Practices Beyond Opera --|tBad Habits in Theater
       -- Late Forms of Operatic Pasticcios in Vienna Around 1800
       --|tDance in Pasticcios -- Pasticcios in Dance --|tBallet 
       Performance as Motivation for Pasticcio Practices -- 
       Gluck' s and Berton's Cythère assiégée (1775) --|tUse of 
       Extracts of Mozart' s Operas in Polish Sacred Music --
       |tPasticcio da chiesa: Transforming Opera Arias into an 
       Oratorio The Case of Contrafacted Oratorios in Wroclaw and
       Zagan from the Mid-18th Century --|t6. Pasticcio Between 
       Philology and Materiality --|tApostolo Zeno's Venceslao 
       (Venice 1703) and its Pasticcio Version Vincislao re di 
       Polonia (London 1717) A Case Study with Stops in Florence,
       Milan and Naples --|tMusical and Physical Mobility of 
       Material in Handel Sources --|tPasticcios in Darmstadt? 
       Christoph Graupner and the Use of Non-domestic Librettos 
       in the Early 18th Century --|tGluck's Contribution to the 
       Pasticcios Arsace and La finta schiava --|tDigital Music 
       Editions Beyond [Edited] Musical Text --|tPasticci Tree: 
       Manual and Computing Solutions --|tWays of Replacement -- 
       Loss and Enrichment --|tEpilogue --|tList of Contributors 
       --|tIndex of Persons --|tIndex of Places. 
520    In Early Modern times, techniques of assembling, compiling
       and arranging pre-existing material were part of the 
       established working methods in many arts. In the world of 
       18th-century opera, such practices ensured that operas 
       could become a commercial success because the substitution
       or compilation of arias fitting the singer's abilities 
       proved the best recipe for fulfilling the expectations of 
       audiences. Known as "pasticcios" since the 18th-century, 
       these operas have long been considered inferior patchwork.
       The volume collects essays that reconsider the pasticcio, 
       contextualize it, define its preconditions, look at its 
       material aspects and uncover its aesthetical principles 
546    In English. 
588 0  Online resource; title from digital title page (viewed on 
       November 05, 2021). 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 18th century|2fast 
648  7 1700-1799|2fast 
650  0 Opera|zEurope|0https://id.loc.gov/authorities/subjects/
       sh2010104420|y18th century.|0https://id.loc.gov/
       authorities/subjects/sh2002012474 
650  0 Pasticcio.|0https://id.loc.gov/authorities/subjects/
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650  0 Operas|y18th century.|0https://id.loc.gov/authorities/
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650  7 Opera.|2fast|0https://id.worldcat.org/fast/1046145 
650  7 Operas.|2fast|0https://id.worldcat.org/fast/1046191 
650  7 Pasticcio.|2fast|0https://id.worldcat.org/fast/1054514 
650  7 ART|xHistory|xGeneral.|2bisacsh 
651  7 Europe.|2fast|0https://id.worldcat.org/fast/1245064 
653    Art History. 
653    Art. 
653    Arts. 
653    Cultural History. 
653    European Art. 
653    Fine Arts. 
653    Music Aesthetics. 
653    Pastiche. 
653    Work Concept. 
655  4 Electronic books. 
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700 1  Zsovár, Judit,|econtributor,|econtributor.|4https://
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830  0 Mainzer historische Kulturwissenschaften ;|0https://
       id.loc.gov/authorities/names/no2012077672|vBd. 45. 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
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       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
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