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003    OCoLC 
005    20220408043943.0 
006    m     o  d         
007    cr ||||||||||| 
008    210125t20212020gw     fod   z000 0 eng d 
020    3839455928 
020    9783839455920|q(electronic bk.) 
024 7  10.14361/9783839455920|2doi 
035    (OCoLC)1233040636 
040    DEGRU|beng|erda|cDEGRU|dN$T|dOCLCO|dOCLCF|dSFB|dOCLCO 
044    gw|cDE 
049    RIDW 
050  4 N6606 
072  7 SOC002010|2bisacsh 
082 04 700 
090    N6606 
100 1  Frohnapfel, David,|d1985-|eauthor.|4aut|4http://id.loc.gov
       /vocabulary/relators/aut 
245 10 Alleviative Objects :|bIntersectional Entanglement and 
       Progressive Racism in Caribbean Art /|cDavid Frohnapfel. 
264  1 Bielefeld :|btranscript-Verlag,|c[2021] 
264  4 |c©2020 
300    1 online resource (318 p.). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|bPDF|2rda 
490 1  Postcolonial Studies ;|v43 
505 00 |tFrontmatter --|tTable of Contents --|tAcknowledgements -
       -|tGlossary --|tIntroduction --|t1 Sharing Silences: Inter
       -klas Dialogues in the Art Scene of Port-au-Prince --|t2 
       Conditional Hospitality: Atis Rezistans in European and 
       U.S. American Art Institutions --|t3 Gestures of 
       Generosity: Politics of Emotions at the Ghetto Biennale in
       Port-au-Prince --|t4 Between Harmony and Anger: Exhibition
       Spaces by Eugène, Guyodo, Getho, and Papa Da --|t5 
       Disobedient Musealities: The Master's Tools Revisited --
       |tResume: Alleviative Objects, or Translating Black 
       Suffering into White Pedagogy --|tBibliography --|tList of
       Illustrations 
520    The global field of contemporary art is shaped by inter-
       racial conflicts. Alleviative Objects approaches Caribbean
       art through intersectional entanglements and combines 
       decolonial epistemologies with critical whiteness studies 
       and affect theory in order to rethink `Euro- and U.S.-
       centric' perspectives on art, race, and class. David 
       Frohnapfel shows how progressive racism in the discourse 
       on Haitian art recenters Whiteness by performing benign 
       identifications with the artist group Atis Rezistans. 
       While the study turns critically towards Whiteness, it 
       also turns away from it and towards the compelling 
       contributions of Haitian curators and artists to the 
       decentralization of contemporary art. 
546    In English. 
588 0  Description based on online resource; title from PDF title
       page (publisher's Web site, viewed 25. Jan 2021). 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Art, Haitian. 
650  0 Art, Caribbean. 
650  0 Intersectionality (Sociology) 
650  0 Racism in art. 
650  7 SOCIAL SCIENCE / Anthropology / Cultural & Social.
       |2bisacsh 
650  7 Art, Caribbean.|2fast|0(OCoLC)fst00816084 
650  7 Art, Haitian.|2fast|0(OCoLC)fst00816363 
650  7 Intersectionality (Sociology)|2fast|0(OCoLC)fst01982537 
650  7 Racism in art.|2fast|0(OCoLC)fst01086652 
653    Affect. 
653    Art. 
653    Caribbean. 
653    Cultural Anthropology. 
653    Cultural Studies. 
653    Decoloniality. 
653    Haiti. 
653    Installation Art. 
653    Intersectionality. 
653    Museology. 
653    Museum. 
653    Postcolonialism. 
653    Racism. 
653    Socially-engaged Art. 
653    South American Art. 
653    Whiteness. 
655  4 Electronic books. 
830  0 Postcolonial studies ;|v43. 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2703827|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
948    |d20220412|cEBSCO|tEBSCOebooksacademic NEW 1529 |lridw 
994    92|bRID