LEADER 00000cam a2200685Mi 4500 
001    ocn646788639 
003    OCoLC 
005    20160527040705.1 
006    m     o  d         
007    cr |n|---||||| 
008    100712s2010    cau     ob    001 0 eng d 
019    649914405 
020    9780520945593|q(electronic book) 
020    052094559X|q(electronic book) 
020    0520256727|q(cloth ;|qalkaline paper) 
020    9780520256729|q(cloth ;|qalkaline paper) 
020    0520254562|q(paperback ;|qalkaline paper) 
020    9780520254565|q(paperback ;|qalkaline paper) 
035    (OCoLC)646788639|z(OCoLC)649914405 
037    22573/cttt0vvr|bJSTOR 
040    EBLCP|beng|epn|cEBLCP|dYDXCP|dINU|dOCLCQ|dN$T|dJSTOR
       |dOCLCF|dOCLCQ|dOCLCO|dE7B|dCDX|dP@U|dCOO|dOCLCQ|dDXU|dOCL
043    a-ja--- 
049    RIDW 
050  4 PN1993.5.J3|bG45 2010 
072  7 ART|x057000|2bisacsh 
072  7 PER|x004040|2bisacsh 
072  7 PER004000|2bisacsh 
082 04 791.430952 
090    PN1993.5.J3|bG45 2010 
100 1  Gerow, Aaron Andrew.|0https://id.loc.gov/authorities/names
       /no00034542 
245 10 Visions of Japanese Modernity :|bArticulations of Cinema, 
       Nation, and Spectatorship, 1895-1925. 
264  1 Berkeley :|bUniversity of California Press,|c2010. 
300    1 online resource (339 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 0  Visions of Japanese Modernity; Contents; List of 
       Illustrations; Acknowledgments; Introduction; 1. The 
       Motion Pictures as a Problem; 2. Gonda Yasunosuke and the 
       Promise of Film Study; 3. Studying the Pure Film; 4. The 
       Subject of the Text: Benshi, Authors, and Industry; 5. 
       Managing the Internal; Conclusion: Mixture, Hegemony, and 
       Resistance; Notes; Selected Bibliography; Index. 
520    "Visions of Japanese Modernity is the single best account 
       of the formation of Japanese cinema. Deftly drawing on 
       film discourses, regulations, and exhibition practices, it
       brilliantly brings into focus one of the most exuberant 
       and contested moments in the history of cinema. It not 
       only sets new standards for film history but also plants 
       the seeds for a counterhistory to cinema as such."Thomas 
       LaMarre, author of The Anime Machine: A Media Theory of 
       Animation "In this landmark study, Aaron Gerow richly 
       demonstrates the vibrancy of Japanese film culture as no 
       book has done befor. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 19th century|2fast 
648  7 20th century|2fast 
648  7 1800-1999|2fast 
650  0 Motion pictures|zJapan|xHistory|0https://id.loc.gov/
       authorities/subjects/sh2008108026|y19th century.|0https://
       id.loc.gov/authorities/subjects/sh2002012475 
650  0 Motion pictures|zJapan|xHistory|y20th century.|0https://
       id.loc.gov/authorities/subjects/sh2010102517 
650  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1027285 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
651  7 Japan.|2fast|0https://id.worldcat.org/fast/1204082 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aGerow, Aaron.|tVisions of Japanese 
       Modernity : Articulations of Cinema, Nation, and 
       Spectatorship, 1895-1925.|dBerkeley : University of 
       California Press, ©2010|z9780520254565 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=547423|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160616|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID