| Description |
1 online resource (545 pages). |
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text file |
| Series |
Oxford Handbooks
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Oxford handbooks.
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| Contents |
Cover; The Oxford Handbook of Mobile Music Studies; Copyright; Contents; Preface to Volume 2; Contributors; The Oxford Handbook of Mobile Music Studies; Chapter 1 The Mobilization of Performance: An Introduction to the Aesthetics of Mobile Music; Part IFrequency-Range Aesthetics; Chapter 2 Treble Culture; Chapter 3 Of Sirens Old and New; Part IISounding Transport; Chapter 4 "Cars with the Boom": Music, Automobility, and Hip-hop "Sub" Cultures; Chapter 5 Ding, Ding!: The Commodity Aesthetic of Ice Cream Truck Music. |
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Chapter 6 There Must Be Some Relation Between Mushrooms and Trains: Alvin Curran's Boletus Edulis-Musica PendolarePart IIIWalking and Bodily Choreography; Chapter 7 Creative Sonification of Mobility and Sonic Interaction with Urban Space: An Ethnographic Case Study of a GPS Sound W; Chapter 8 Soundwalking: Creating Moving Environmental Sound Narratives; Chapter 9 Gestural Choreographies: Embodied Disciplines and Digital Media; Part IVDance and Dance Musics; Chapter 10 (In)Visible Mediators: Urban Mobility, Interface Design, and the Disappearing Computer in Berlin-Based Laptop Perfor. |
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Chapter 11 Turning the Tables: Digital Technologies and the Remixing of DJ CultureChapter 12 Dancing Silhouettes: The Mobile Freedom of iPod Commercials; Part VPopular Music Production; Chapter 13 Music, Mobility, and Distributed Recording Production in Turkish Political Music; Chapter 14 Rhythms of Relation: Black Popular Music and Mobile Technologies; Part VIGaming Aesthetics; Chapter 15 A History of Handheld and Mobile Video Game Sound; Chapter 16 The Chiptuning of the World: Game Boys, Imagined Travel, and Musical Meaning. |
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Chapter 17 Rhythm Heaven: Video Games, Idols, and Other Experiences of PlayPart VIIMobile Music Instruments; Chapter 18 The Mobile Phone Orchestra; Chapter 19 Creative Applications of Interactive Mobile Music; Chapter 20 The World Is Your Stage: Making Music on the iPhone; Index. |
| Summary |
This volume investigates the ramifications of mobile music devices and technologies on musical/sonic performance and aesthetics. It thinks together artistic production with the performances of quotidian life and argues that "mobility" is not the same thing as actual "movement," demonstrating that mobile performance concerns the perception or signification of mobility rather than movement per se. The volume's chapters investigate the mobilization of frequency range, sound vehicles, gestural choreographies, dance and dance music, popular music production, video games, and musical instruments and ensembles. Many of this volume's chapters, however, do not fall neatly into any single category and instead incorporate a number of different perspectives and orientations. |
| Subject |
Digital music players -- Social aspects.
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Digital music players. |
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Social aspects. |
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Portable media players. |
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Portable media players -- Social aspects.
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Music trade.
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Music trade. |
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PSYCHOLOGY / Social Psychology. |
| Genre/Form |
Electronic books.
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| Subject |
Music -- Social aspects.
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Greece -- Civilization -- To 146 B.C.
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Music -- Social aspects. |
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Greece -- History -- To 146 B.C.
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| Added Author |
Stanyek, Jason.
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| Other Form: |
Print version: Gopinath, Sumanth. Oxford Handbook of Mobile Music Studies, Volume 2. Oxford : Oxford University Press, USA, ©2014 9780199913657 |
| ISBN |
9780199913664 electronic book |
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0199913668 electronic book |
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