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LEADER 00000cgm a2200793Ki 4500 
001    ocn956370211 
003    OCoLC 
005    20170309042258.0 
006    m     o  c         
007    vz czazus 
007    cr cna|||uuuuu 
008    160809t19911991xx 057        o   vlrus d 
035    (OCoLC)956370211 
037    3022|bMedici.tv 
040    FRMTV|beng|erda|epn|cFRMTV|dOCLCO|dFRMTV|dOCLCQ 
041 1  rus|aeng|jeng|hrus|heng 
049    OCLC 
245 00 Private music lessons.|pYuri Bashmet, playing and teaching
       the viola /|cJacques Deschamps, director. 
246 30 Yuri Bashmet, playing and teaching the viola 
264  1 [Place of publication not identified] :|b[publisher not 
       identified],|c[1991] 
264  4 |c©1991 
300    1 online resource (1 video file (56 min., 34 sec.)) :
       |bsound, color 
306    005634 
336    two-dimensional moving image|btdi|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
344    digital|2rda 
347    video file|2rda 
380    Television program 
505 0  Sonate arpeggione, D. 821 en la mineur / Franz Schubert --
       Sonate pour violon, BWV 1001. Adagio en sol mineur / 
       Johann Sebastian Bach ; transcription pour alto -- Sonate 
       pour piano et clarinette, op. 120 en fa mineur / Johannes 
       Brahms ; transcription pour alto -- Lachrymae. V., Allegro
       con moto / Benjamin Britten -- Quatuor "Der Tod und das 
       Mädchen" : D. 810. II., Andante con moto / Franz Schubert 
       ; orchestration de Gustav Mahler -- Trio no. 5 op 114 en 
       la mineur. [Andantino grazioso] / Johannes Brahms. 
511 0  Yuri Bashmet, instructor, with students Andreï Gridchuk, 
       Claire Bobij, and Danilo Rossi, violas; Orchestre des 
       Solistes de Moscou-Montpellier; with Ksénia Bashmet, 
       Mikhail Muntian, piano; Boris Baraz, violoncello. 
520    This masterclass recounts the trajectory of a supremely 
       gifted violist and turbulent artist, heir to a uniquely 
       Russian tradition of interpretative rigour which is seen 
       passing on to his pupils here. Yuri Bashmet is an 
       explosive mixture of severity and sensitivity which 
       reaches the heights of musical sublimity! Contrary to the 
       well-known image of the Russian genius shut up in a 
       conservatory for prodigies, the young Yuri did not realise
       he was destined for the rarefied world of classical music.
       As a teenager he Iearnt his music from the school of Jimi 
       Hendrix and the Beatles, playing the electric guitar with 
       rock bands in the nightclubs of Lvov (Ukraine). In those 
       years which saw the death of Stalinism and the birth of 
       perestroika, he was sure of only one thing : music and he 
       were inseparable. In 1970, not yet twenty years old, he 
       was attracted by classical music. The violin of course, 
       the conservatory; his family weren't against it. He spoke 
       of his intentions to a well-informed friend, who explained
       that there were too many violinists and he was bound to 
       end up playing the viola. Yuri wasted no time, and at once
       began practising the latter instrument, whose 
       expressiveness soon began to fascinate him. He dreamt of 
       his viola ... and that's one of the stories told in this 
       fine film by Jacques Deschamps, at once an endearing 
       portrait and a 'private music Iesson' given in Montpellier
       at our invitation. Filmed here during the summer of 1990, 
       when he was already recognised in the West as one of the 
       violists, Yuri Bashmet was generously welcomed by the city
       of Montpellier along with his ensemble, the Moscow 
       Soloists, when glasnost enabled him to leave the USSR 
       freely, like other Russian artists and intellectuals at 
       that time. And so here is the flamboyant violist, with 
       hair and soulful glance, in rehearsal with the Moscow 
       Soloists, renamed 'Solistes de Moscou-Montpellier' for the
       occasion. In this film taken at a prestissimo pace, he 
       works in turn with beginners on the viola and seasoned 
       musicians, some of whom are members of his ensemble. Since
       music is a family affair, we find in his improvised dacha 
       at Palavas-les-Flots, which looks directly onto the beach.
       He plays Schubert accompanied by his ten-year old daughter,
       who bravely takes in his somewhat severe remarks on her 
       performance. His method? Liberty, a flawless technique, 
       and a musicality that shines through every word, every 
       note played as an example ... Pedagogy? He gently bullies 
       his pupils without ever letting them feel any kind of 
       superiority on his part. It is doubtless one of the 
       elements of the Russian sensibility to consider friendship
       as a mainspring of creation. But it should be remembered 
       that Bashmet, a virtuoso through and through, didn't 
       really have much of an idea of teaching methods at the 
       time we filmed him, except by comparison with those he was
       confronted with during his studies with the illustrious 
       Feodor Druzhinin at the Moscow Conservatory. You only need
       to watch him, say his musicians, to understand a little 
       better and make great progress in musical execution. Music
       is not always conveyed by words; Bashmet, when he can't 
       say things, mimes them. His usual method is to seize the 
       pupil's viola and play it: the sound blossoms, even on 
       mediocre instruments, and the music invades the screen. 
       The film is also punctuated by performances of 
       masterpieces: the Schubert's Arpeggione Sonata, the Brahms
       F minor Sonata with the marvelous Mikhaïl Muntian, 
       rehearsals with his orchestra. Whatever he plays, whatever
       he does, there is always the same impression of urgency 
       and concentration. A few bars of Benjamin Britten's 
       Lachrymae are heard at the still centre of this 'private 
       Iesson'. They are of such intensity as to bring tears to 
       the eyes, and alone suffice to encapsulate all by 
       themselves the soul of this angel-musician. Private music 
       lessons: twelve hugely influential programmes broadcast by
       French television between 1987 and 1991. The guiding 
       principle for Olivier Bernager and François Manceaux was 
       to capture the art of the leading performers of our time, 
       live in concert but also and above all in a teaching 
       environment. You can buy the DVD of this program on: 
       Harmoniamundi.com, Fnac.com, Amazon.com. 
546    In Russian and English; English subtitles. 
588 0  Vendor-supplied metadata. 
650  0 Viola music|0https://id.loc.gov/authorities/subjects/
       sh85143486|xInterpretation (Phrasing, dynamics, etc.)
       |0https://id.loc.gov/authorities/subjects/sh00006356 
650  0 Viola and piano music.|0https://id.loc.gov/authorities/
       subjects/sh85143446 
650  0 Piano trios.|0https://id.loc.gov/authorities/subjects/
       sh85101835 
650  7 Viola music.|2fast|0https://id.worldcat.org/fast/1167193 
650  7 Viola and piano music.|2fast|0https://id.worldcat.org/fast
       /1167140 
650  7 Piano trios.|2fast|0https://id.worldcat.org/fast/1063478 
655  7 Piano trios.|2fast|0https://id.worldcat.org/fast/1726479 
655  7 Internet videos.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2011026337 
655  7 Internet videos.|2fast|0https://id.worldcat.org/fast/
       1750214 
655  7 Video recordings.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2011026723 
655  7 Video recordings.|2fast|0https://id.worldcat.org/fast/
       1692913 
700 1  Bashmet, I͡Uriĭ,|0https://id.loc.gov/authorities/names/
       n80143279|einstrumentalist,|econductor. 
700 1  Deschamps, Jacques,|0https://id.loc.gov/authorities/names/
       no2008120040|efilm director. 
700 1  Gridchuk, Andreĭ,|d1961-|0https://id.loc.gov/authorities/
       names/nr97016587|einstrumentalist. 
700 1  Bobij, Claire,|0https://id.loc.gov/authorities/names/
       no2012051526|einstrumentalist. 
700 1  Rossi, Danilo,|0https://id.loc.gov/authorities/names/
       n2006091970|einstrumentalist. 
700 1  Bashmet, Ksenii͡a,|d1980-|0https://id.loc.gov/authorities/
       names/no2007004306|einstrumentalist. 
700 1  Munti͡an, Mikhail|c(Pianist),|0https://id.loc.gov/
       authorities/names/n97106249|einstrumentalist. 
700 1  Baraz, Boris,|0https://id.loc.gov/authorities/names/
       n95070336|einstrumentalist. 
700 12 |iContainer of (expression):|aSchubert, Franz,|d1797-1828.
       |tSonatas,|marpeggione, piano,|nD. 821,|rA minor;
       |oarranged.|0https://id.loc.gov/authorities/names/
       n82080088 
700 12 |iContainer of (work):|aBach, Johann Sebastian,|d1685-
       1750.|tSonaten und Partiten,|mviolin,|nBWV 1001-1006.
       |pSonata,|nno. 1.|pAdagio.|0https://id.loc.gov/authorities
       /names/n2001064952 
700 12 |iContainer of (work):|aBrahms, Johannes,|d1833-1897.
       |tSonatas,|mclarinet, piano,|nop. 120.|nNo. 1.|0https://
       id.loc.gov/authorities/names/n81048122 
700 12 |iContainer of (expression):|aSchubert, Franz,|d1797-1828.
       |tQuartets,|mviolins (2), viola, cello,|nD. 810,|rD minor.
       |pAndante con moto;|0https://id.loc.gov/authorities/names/
       no97077693|oarranged. 
700 12 |iContainer of (work):|aBritten, Benjamin,|d1913-1976.
       |tLachrymae.|pAllegro con moto.|0https://id.loc.gov/
       authorities/names/no2012053287 
700 12 |iContainer of (work):|aBrahms, Johannes,|d1833-1897.
       |tTrios,|mpiano, clarinet, cello,|nop. 114,|rA minor.
       |pAndantino grazioso.|0https://id.loc.gov/authorities/
       names/no2012053292 
856 40 |3Medici.tv|uhttps://rider.idm.oclc.org/login?url=http://
       edu.medici.tv/movies/yuri-bashmet-playing-and-teaching-the
       -viola-private-music-lessons|zAccess restricted to current
       Rider University students, faculty, and staff. 
901    MARCIVE 20231220 
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948    |d20171012|cLTI|tlti-aup173 
948    |d20170313|cRDT original load 
948    |d20170922|clti|tlti-aex 
994    C0|bOCL