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001    ocm51493790  
003    OCoLC 
005    20160527041452.9 
006    m     o  d         
007    cr cn||||||||| 
008    030121s2002    mdua    ob    001 0 eng d 
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       |a606823754|a646712774|a697480032|a702103697|a722143681
       |a728007443|a923191437 
020    0801877873|q(electronic book) 
020    9780801877872|q(electronic book) 
020    080186755X|q(hardback ;|qalkaline paper) 
020    9780801867552|q(hardback ;|qalkaline paper) 
035    (OCoLC)51493790|z(OCoLC)70752763|z(OCoLC)300630419
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       |z(OCoLC)702103697|z(OCoLC)722143681|z(OCoLC)728007443
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043    e-uk--- 
049    RIDW 
050  4 PR830.L43|bG76 2002eb 
072  7 LIT|x004120|2bisacsh 
082 04 823.009/355 
090    PR830.L43|bG76 2002eb 
100 1  Grossman, Jonathan H.|0https://id.loc.gov/authorities/
       names/n2001033717 
245 14 The art of alibi: English law courts and the novel /
       |cJonathan H. Grossman. 
264  1 Baltimore :|bJohns Hopkins University Press,|c2002. 
300    1 online resource (xii, 202 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
504    Includes bibliographical references (pages 175-196) and 
       index. 
505 0  Introduction -- 1. From scaffold to law court, from 
       criminal broadsheet and biography to newspaper and novel -
       - 2. Caleb williams and the novel's forensic form -- 3. 
       Mary Shelley's legal frankenstein -- 4. Victorian 
       courthouse structures, the Pickwick papers -- 5. Mary 
       Barton's tell-tale evidence -- 6. The Newgate novel and 
       the advent of detective fiction -- Conclusion. 
506    |3Use copy|fRestrictions unspecified|2star|5MiAaHDL 
520 1  "In The Art of Alibi, Jonathan H. Grossman reconstructs 
       the relation of the novel to nineteenth-century law 
       courts. During the Romantic era, courthouses and trial 
       scenes frequently found their way into the plots of 
       English novels. As Grossman states, "by the Victorian 
       period, theses scenes represented a powerful intersection 
       of narrative form with a complementary and competing 
       structure for storytelling." He argues that the courts, 
       newly fashioned as a site in which to orchestrate voices 
       and reconstruct stories, arose as a cultural presence 
       influencing the shape of the English novel." "Weaving 
       examinations of novels such as William Godwin's Caleb 
       Williams, Mary Shelley's Frankenstein, and Charles 
       Dicknens's The Pickwick Papers and Oliver Twist, along 
       with a reading of the new Royal Courts of Justice, 
       Grossman charts the exciting changes occurring within the 
       novel, especially crime fiction, that preceded and led to 
       the invention of the detective mystery in the 1840s."--
       Jacket. 
533    Electronic reproduction.|b[S.l.] :|cHathiTrust Digital 
       Library,|d2010.|5MiAaHDL 
538    Master and use copy. Digital master created according to 
       Benchmark for Faithful Digital Reproductions of Monographs
       and Serials, Version 1. Digital Library Federation, 
       December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212
       |5MiAaHDL 
583 1  digitized|c2010|hHathiTrust Digital Library|lcommitted to 
       preserve|2pda|5MiAaHDL 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Legal stories, English|0https://id.loc.gov/authorities/
       subjects/sh89001216|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh99001187 
650  0 English fiction|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh2008103112 
650  0 Courts in literature.|0https://id.loc.gov/authorities/
       subjects/sh94004434 
650  0 Law and literature.|0https://id.loc.gov/authorities/
       subjects/sh85075297 
650  0 Law in literature.|0https://id.loc.gov/authorities/
       subjects/sh85075309 
650  0 Literary form.|0https://id.loc.gov/authorities/subjects/
       sh85077490 
650  7 Legal stories, English.|2fast|0https://id.worldcat.org/
       fast/995566 
650  7 English fiction.|2fast|0https://id.worldcat.org/fast/
       910817 
650  7 Courts in literature.|2fast|0https://id.worldcat.org/fast/
       881839 
650  7 Law and literature.|2fast|0https://id.worldcat.org/fast/
       993913 
650  7 Law in literature.|2fast|0https://id.worldcat.org/fast/
       994014 
650  7 Literary form.|2fast|0https://id.worldcat.org/fast/999924 
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
776 08 |iPrint version:|aGrossman, Jonathan H.|tArt of alibi: 
       English law courts and the novel.|dBaltimore : Johns 
       Hopkins University Press, 2002|z080186755X|w(DLC)  
       2001002200|w(OCoLC)46732371 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=75861|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160615|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID