LEADER 00000cam a2200553 i 4500 
001    ocn816498988 
003    OCoLC 
005    20151203031938.0 
008    121017t20132013njua     b    001 0 eng   
010      2012038529 
020    0813561043|q(hardcover)|q(alkaline paper) 
020    0813561035|q(paperback)|q(alkaline paper) 
020    9780813561042|q(hardcover)|q(alkaline paper) 
020    9780813561035|q(paperback)|q(alkaline paper) 
020    |z9780813561059|q(ebook) 
040    DLC|beng|erda|cDLC|dYDX|dOCLCO|dYDXCP|dBTCTA|dBDX|dNYP
       |dMNE|dOCLCF|dCHVBK|dOCL 
042    pcc 
043    n-us--- 
049    RIDM 
050 00 PN1995.9.V85|bH34 2013 
082 00 791.43/655|223 
090    PN1995.9.V85|bH34 2013 
100 1  Hagelin, Sarah.|0https://id.loc.gov/authorities/names/
       no2007017229 
245 10 Reel vulnerability :|bpower, pain, and gender in 
       contemporary American film and television /|cSarah 
       Hagelin. 
264  1 New Brunswick, New Jersey ;|aLondon :|bRutgers University 
       Press,|c2013. 
264  4 |c©2013 
300    ix, 211 pages :|billustrations ;|c23 cm 
336    text|2rdacontent 
337    unmediated|2rdamedia 
338    volume|2rdacarrier 
504    Includes bibliographical references (page 193-202) and 
       index. 
505 0  Introduction: Unmaking vulnerability -- Part I, The 
       cinematic construction of vulnerability: The furies, the 
       men, and the method: Cinematic languages of vulnerability 
       -- Victimized, violent and damned: Identification and 
       radical vulnerability in The deer hunter, Full metal 
       jacket, and Casualties of war -- Part II, New 
       vulnerability after The Cold War: The body at war: Sexual 
       politics and resistant vulnerability in Saving Private 
       Ryan and G.I. Jane -- Matthew Shepard's body and the 
       politics of queer vulnerability in Boys don't cry and The 
       Laramie Project -- Part III, Vulnerability beyond the body
       : The violated body after 9/11: Torture and the legacy of 
       vulnerability in 24 and Battlestar Galactica -- 
       Vulnerability by proxy: Deadwood and the future of 
       television form -- Afterword: Female power and Tarantino's
       Basterds. 
650  0 Vulnerability (Personality trait) in motion pictures.
       |0https://id.loc.gov/authorities/subjects/sh2012004129 
650  0 Power (Social sciences) in motion pictures.|0https://
       id.loc.gov/authorities/subjects/sh2007010154 
650  0 Pain in motion pictures.|0https://id.loc.gov/authorities/
       subjects/sh2012004130 
650  0 Sex role in motion pictures.|0https://id.loc.gov/
       authorities/subjects/sh89005585 
650  0 Motion pictures|zUnited States.|0https://id.loc.gov/
       authorities/subjects/sh85088112 
650  7 Vulnerability (Personality trait) in motion pictures.
       |2fast|0https://id.worldcat.org/fast/1905096 
650  7 Power (Social sciences) in motion pictures.|2fast|0https:/
       /id.worldcat.org/fast/1904333 
650  7 Pain in motion pictures.|2fast|0https://id.worldcat.org/
       fast/1904164 
650  7 Sex role in motion pictures.|2fast|0https://
       id.worldcat.org/fast/1114654 
650  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1027285 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
901    MARCIVE 20231220 
948    |d20160930|clti|tlti-aex 
994    C0|bRID