| Description |
1 online resource (208 pages). |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
ISSN
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ISSN.
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| Note |
Description based upon print version of record. |
| Contents |
Intro -- Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- List of Figures -- Preface -- Introduction -- Spahlinger and Modernism -- Outline -- Notes -- Part 1 -- 1 Modernism Underestimated -- 'this is the time of conceptive ideologues no longer' -- The Potential of New Music and the Composer in Society -- Autonomy -- New Music and Self-Determination -- Blunting the Potential of New Music -- Possible Progress -- Potential Criticisms -- Notes -- 2 Biography and Context: Spahlinger and Twentieth-Century Germany: -- 'what's with this kid?': Post-War Frankfurt |
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An Education -- 1968 and Vergangenheitsbewältigung -- Artist and Intellectual -- Mid- to Late Career -- Spahlinger and German Sociology -- Continuity and Reinvention in German Modernism -- Notes -- Part 2 -- 3 Musique Concrète Instrumentale: -- 1. Defining the Term -- Noise and Notation -- Musique Concrète Instrumentale and Spahlinger -- Noise and Mechanical Repetition -- The Musique Concrète Instrumentale Surface -- apo do, música impura and furioso -- 2. Politics and Noisy Philosophy -- Modernism and Musique Concrète Instrumentale -- Notes -- 4 Order: -- 1. Conceptions of Order |
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A Brief Note on Deconstruction -- Order and Disorder in Spahlinger's Pieces: akt, eine treppe herabsteigend -- farben der frühe -- inter-mezzo -- 2. Critical Commentary -- Determinate Negation -- The Politics of Order -- Political Art and Davis's Aesthetic Contingency -- Spahlinger's Aesthetic Contingency -- Notes -- 5 Open Form -- 1. Conceptions of Open Form -- Open Form in Spahlinger's Pieces -- passage/paysage -- Spiral Repetitions and Narrative Models in passage/paysage -- vorschläge: konzepte zur ver(über)flüssigung der funktion des komponisten |
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Transitions in doppelt bejaht and verlorener weg -- 2. Critical Commentary -- The Means of Production: Spahlinger's Performance Practice -- Open Form -- Closed Material? -- Notes -- 6 Perception -- Spahlinger and Perception -- Perception in Spahlinger's Pieces -- passage/paysage and und als wir ... -- Pitch and Rhythm: gegen unendlich and off -- in dem ganzen ocean von empfindungen eine welle absondern, sie anhalten (1985) -- Playback, Actuality and Reality -- Forms and Materials -- 1. Modes of Listening in ocean -- Expressing the Political Message -- 2. Critical Commentary |
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Modes of Listening: und als wir ... and off -- Rancière's Aesthetic Politics -- Spahlinger and the Role of Perception -- Spahlinger's Modernist Exploration of Perception -- Notes -- Conclusion -- Spahlinger's Modernism -- Ongoing Debates: Style, Politics and Institutional Critique -- Historical Phenomenon or Contemporary Thinker? -- Notes -- Mathias Spahlinger: List of Works: -- Discography -- Index |
| Summary |
A critical introduction to the music and thought of the German composer Mathias Spahlinger. Explored from his own perspective and discussed critically in relation to the work of French philosopher Jacques Ranciére and the continuing discourses of modernism. The first study on Spahlinger to be published in English. 36 b/w figs. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Spahlinger, Mathias.
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Spahlinger, Mathias. |
| Genre/Form |
Electronic books.
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| Added Author |
Iddon, Martin.
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| Other Form: |
Print version: Smith, Neil T. Mathias Spahlinger Bristol : Intellect Books Ltd,c2021 9781789383348 |
| ISBN |
1789383366 |
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9781789383362 (electronic book) |
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