| Description |
1 online resource (285 pages) : illustrations. |
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text file |
| Series |
IKKM books ; volume 25
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Film Culture in Transition
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Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Bd. 25.
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Film culture in transition.
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Book collections on Project MUSE.
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Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; volume 25.
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| Note |
"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. |
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Issued as part of book collections on Project MUSE. |
| Bibliography |
Includes bibliographical references (pages 263-275) and indexes. |
| Contents |
Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. |
| Access |
Open Access Unrestricted online access |
| Summary |
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." |
| Local Note |
Project Muse Project Muse Open Access |
| Subject |
Farocki, Harun -- Criticism and interpretation. |
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Godard, Jean-Luc, 1930- -- Criticism and interpretation. |
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Motion pictures -- Philosophy.
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Motion pictures -- Philosophy. |
| Genre/Form |
Electronic books.
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Electronic books. .
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| Added Author |
Turnbull, Michael, 1959- translator.
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Project Muse, distributor.
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Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie.
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| Added Title |
Film als Theorie. English
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| Other Form: |
Print version: 9789089648914 9089648917 |
| ISBN |
9789048527557 |
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9048527554 |
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9789089648914 |
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9089648917 |
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