Introduction: autonomizing the Calderonian auto sacramental -- Tradition revised: the auto sacramental in the early twentieth century. The avant-garde rediscovery of the auto -- Francoism and the auto as political mouthpiece restoring the auto: from the battlefield to a national theater -- Tradition overthrown: the auto sacramental in the post-Franco era. Subverting tradition: Francisco Nieva and his sacred irreverence -- Emerging from darkness: national and theatrical revision in Jesús Campos García's A ciegas -- The auto industry: anti-commercialism and the plays of Ernesto Caballero -- Conclusion.
Local Note
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