| Description |
1 online resource (1 online resource (xiv, 207 pages, 2 unnumbered pages of plates) :) : illustrations (some color), digital file |
|
text file |
| Note |
OldControl:muse9780889207479. |
| Bibliography |
Includes bibliographical references (pages 191-195) and index. |
| Contents |
Figuring Redemption: A Theoretical Frame -- The WALKING WOMAN: Field Test -- Framed: The Return of Sight, Squared -- Returns on Self-Effacement: The Self-Portrait -- Figuring the Field: The Machine, the "Garden, " My Self -- "See You Later (Au Revoir), " With Love -- Refiguring Redemption: Resighting My Self. |
| Summary |
"This book explores how the visual art practice of Michael Snow asks the question Who? of the viewers as they interpret what lies before them. Much criticism of Snow objectively analyzes the material interrelationships in his work, ignoring viewer participation, and implicitly giving the artist control of the view. However, what if the "who" is addressed from the perspective of the viewer who is looking across a gap created by concrete representation time, place, experience and, perhaps, gender? How then can it remain objective?"--Pub. desc. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Snow, Michael, 1929- -- Criticism and interpretation.
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Snow, Michael, 1929- -- Critique et interpretation. |
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Snow, Michael, 1928-2023. |
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Self-perception in art.
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Self-perception in art. |
| Indexed Term |
Issued as part of UPCC book collections on Project MUSE. |
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"Multi-User" |
| Genre/Form |
Electronic books.
|
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Criticism, interpretation, etc.
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Dictionaries.
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Dictionaries.
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| Added Author |
Snow, Michael, 1929-
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| Other Form: |
Print version: 9780889203990 |
| ISBN |
9780889207479 (electronic book) |
|
088920747X (electronic book) |
|
9780889203990 |
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