LEADER 00000cam a22006138i 4500 
001    ocn966314924 
003    OCoLC 
005    20190705070511.3 
006    m     o  d         
007    cr ||||||||||| 
008    161214s2016    inu     ob   s001 0 eng   
010      2016057716 
019    967564424 
020    9780253024053|q(electronic bk.) 
020    0253024056|q(electronic bk.) 
020    |z9780253023971|q(cloth ;|qalk. paper) 
035    (OCoLC)966314924|z(OCoLC)967564424 
037    22573/ctt1zzj4px|bJSTOR 
040    DLC|beng|erda|epn|cDLC|dOCLCO|dN$T|dEBLCP|dYDX|dOCLCF|dP@U
       |dOCLCQ|dOTZ|dJSTOR|dUAB|dOCLCQ|dINT|dOCLCQ|dU3W|dOCLCQ
       |dAU@ 
042    pcc 
043    e-pl--- 
049    RIDW 
050 10 PN1995.9.E96 
072  7 PER|x009000|2bisacsh 
072  7 PER004030|2bisacsh 
072  7 PER018000|2bisacsh 
082 00 791.43/611|223 
090    PN1995.9.E96 
100 1  Kuc, Kamila,|eauthor. 
245 10 Visions of avant-garde film :|bPolish cinematic 
       experiments from expressionism to constructivism /|cKamila
       Kuc. 
263    1612 
264  1 Bloomington :|bIndiana University Press,|c2016. 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bn|2rdamedia 
338    online resource|bnc|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  Introduction -- Protocinematic phase: the pioneers (1896-
       1918). "The cinematograph" and historical consciousness: 
       actualities as the earliest experiments with film in the 
       Polish territories -- Discovering medium specificity: the 
       first Polish claims for film as art -- The first Polish 
       experiment with film: Feliks Kuczkowski's animation in the
       context of the international avant-garde -- Polish avant-
       garde movements and film (1919-1945). Karol Irzykowski's 
       Tenth muse: animated film as the highest form of film art 
       -- The theoretical apparatus: Polish futurism and avant-
       garde film -- Polish avant-garde films, discourses, and 
       the concept of photogenie -- Polish avant-garde film and 
       constructivism -- Conclusion. 
520 8  Warsaw- and London-based filmmakers Franciszka and Stefan 
       Themerson are often recognized internationally as pioneers
       of the 1930s Polish avant-garde. Yet, from the turn of the
       century to the end of the 1920s, Poland's literary and art
       scenes were also producing a rich array of criticism and 
       early experiments with the moving image that set the stage
       for later developments in the avant-garde. In this 
       comprehensive and accessible study, Kamila Kuc draws on 
       myriad undiscovered archival sources to tell the history 
       of early Polish avant-garde movements-Symbolism, 
       Expressionism, Futurism, and Constructivism-and to reveal 
       their impact on later practices in art cinema. 
588 0  Print version record and CIP data provided by publisher; 
       resource not viewed. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Experimental films|zPoland|xHistory and criticism. 
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
776 08 |iPrint version:|aKuc, Kamila author.|tVisions of avant-
       garde film.|dBloomington : Indiana University Press, 2016
       |z9780253023971|w(DLC)  2016040997 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1446981|zOnline eBook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
948    |d20190709|cEBSCO|tEBSCOebooksacademic NEW 7-5-19 5915
       |lridw 
994    92|bRID