LEADER 00000cam a22005534a 4500 
001    ocm57193030 
005    20090720133107.0 
008    041202t20062006paua     b   s001 0 eng   
010      2004028709 
020    027102691X|qalkaline paper 
024 3  9780271026916 
035    (OCoLC)ocm57193030 
035    421881 
040    DLC|beng|cDLC|dC#P|dBAKER|dUPM|dIXA|dSYB|dYDXCP|dOCLCQ 
042    pcc 
049    RIDM 
050 00 N72.P6|bS64 2006 
082 00 709/.181/209043|222 
090    N72.P6 S64 2006 
245 04 The social and the real :|bpolitical art of the 1930s in 
       the western hemisphere /|cedited by Alejandro Anreus, 
       Diana L. Linden, and Jonathan Weinberg. 
264  1 University Park, Pa. :|bPennsylvania State University 
       Press,|c[2006] 
264  4 |c©2006 
300    xxii, 362 pages :|billustrations ;|c27 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Refiguring modernism ;|v4 
504    Includes bibliographical references (pages 311-349) and 
       index. 
505 00 |tSignifying the real: documentary photography in the 
       1930s /|rAlan Trachtenburg --|tSocial and political 
       commentary in Cuban modernist painting of the 1930s /
       |rJuan A. Martinez --|t"Mexican problem": nation and 
       "native" in Mexican muralism and cultural discourse /
       |rMary K. Coffey --|tCanadian political art in the 1930s: 
       "a form of distancing" /|rMarylin McKay --|tAdapting to 
       Argentinean reality: the new realism of Antonio Berni /
       |rAlejandro Anreus --|tI want muscle: male desire and the 
       image of the worker in American art of the 1930s /
       |rJonathan Weinberg --|tMaking history: Melvin Gray 
       Johnson's and Earle W. Richardson's studies for Negro 
       achievement /|rJacqueline Francis --|tLynching and anti-
       lynching: art and politics in the 1930s /|rMarlene Park --
       |tArt and politics in the popular front: the union work 
       and social realism of Philip Evergood /|rPatricia Hills --
       |tWorkers and painters: social realism and race in Diego 
       Rivera's Detroit murals /|rAnthony W. Lee --|t"Come out 
       from behind the Pre-Cambrian shield": the politics of 
       memory and identity in the art of Paraskeva Clark /
       |rNatalie Luckyj --|tBen Shahn's New deal murals: Jewish 
       identity in the American scene /|rDiana L. Linden --
       |tBetween Zhdanovism and 57th Street: artists and the 
       CPUSA, 1945-1956 /|rAndrew Hemingway --|tPresident's two 
       bodies: stagings and restagings of the New deal body 
       politic /|rSally Stein. 
648  7 20th century|2fast 
650  0 Art|xPolitical aspects.|0https://id.loc.gov/authorities/
       subjects/sh85007495 
650  0 Social problems in art.|0https://id.loc.gov/authorities/
       subjects/sh85123989 
650  0 Art, Modern|y20th century.|0https://id.loc.gov/authorities
       /subjects/sh85007805 
650  7 Art|xPolitical aspects.|2fast|0https://id.worldcat.org/
       fast/815309 
650  7 Social problems in art.|2fast|0https://id.worldcat.org/
       fast/1122805 
650  7 Art, Modern.|2fast|0https://id.worldcat.org/fast/816615 
700 1  Anreus, Alejandro.|0https://id.loc.gov/authorities/names/
       n94114551 
700 1  Linden, Diana L.|0https://id.loc.gov/authorities/names/
       n98041961 
700 1  Weinberg, Jonathan,|d1957-|0https://id.loc.gov/authorities
       /names/n93013962 
830  0 Refiguring modernism ;|0https://id.loc.gov/authorities/
       names/n2004007507|v4. 
856 41 |3Table of contents|uhttp://www.loc.gov/catdir/toc/ecip054
       /2004028709.html 
901    MARCIVE 20231220 
935    421881 
994    C0|bRID