LEADER 00000cam a2200685Mi 4500 
001    ocn856870108 
003    OCoLC 
005    20160527041530.8 
006    m     o  d         
007    cr |n||||||||| 
008    130824s2013    stk     ob    001 0 eng d 
019    856626110|a859160930|a876431798 
020    9780748693825|qelectronic book 
020    0748693823|qelectronic book 
020    9780748680184|qelectronic book 
020    0748680187|qelectronic book 
020    1299802834|qelectronic book 
020    9781299802834|qelectronic book 
020    |z9780748680177|q(hardback) 
020    |z0748680179|q(hardback) 
035    (OCoLC)856870108|z(OCoLC)856626110|z(OCoLC)859160930
       |z(OCoLC)876431798 
037    511534|bMIL 
037    22573/ctt57kxr2|bJSTOR 
040    EBLCP|beng|erda|epn|cEBLCP|dOCLCQ|dYDXCP|dCUS|dE7B|dOCLCO
       |dN$T|dCAMBR|dOCLCF|dOCLCQ|dIDEBK|dCDX|dAZU|dDEBSZ|dJSTOR 
043    n-us-ca 
049    RIDW 
050  4 PN1995.9 .L6 
072  7 PER|x009000|2bisacsh 
072  7 PER004000|2bisacsh 
082 04 791.436543 
090    PN1995.9 .L6 
100 1  MacDowell, James,|0https://id.loc.gov/authorities/names/
       no2013084436|eauthor. 
245 10 Happy Endings in Hollywood Cinema :|bCliche, Convention 
       and the Final Couple. 
264  1 Edinburgh :|bEdinburgh University Press,|c2013. 
300    1 online resource (v, 218 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 0  Cover; Title Page; Imprint; Contents; Acknowledgements; 
       Introduction: The 'happy ending': the making of a 
       reputation; 1 The 'happy ending' and homogeneity; 2 Happy 
       endings and closure; 3 Happy endings and unrealism; 4 
       Happy endings and ideology; Conclusion Provisions for the 
       future; Bibliography; Index. 
520    Hollywood 'happy ending' has long been considered among 
       the most famous and standardised features in the whole of 
       narrative filmmaking. Yet, while ceaselessly invoked, this
       notorious device has received barely any detailed 
       attention from the field of film studies. This book is 
       thus the first in-depth examination of one of the most 
       overused and under-analysed concepts in discussions of 
       popular cinema. What exactly is the 'happy ending'? Is it 
       simply a cliché, as commonly supposed? Why has it earned 
       such an unenviable reputation? What does it, or can it, 
       mean? Concentrating especially on conclus. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Motion pictures|zUnited States|xHistory.|0https://
       id.loc.gov/authorities/subjects/sh2008108001 
650  0 Storytelling.|0https://id.loc.gov/authorities/subjects/
       sh85128407 
650  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1027285 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Storytelling.|2fast|0https://id.worldcat.org/fast/1134169 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aMacDowell, James.|tHappy endings in 
       Hollywood cinema.|dEdinburgh : Edinburgh University Press,
       [2013]|z9780748680177|w(OCoLC)856628499 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=632678|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160607|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID